La maldita primavera (Christopher Wood 2)

Enrique López Llamas

La maldita primavera (Christopher Wood 2)120 x 73.5 x 2cmSign in to view price
Details
MaterialGallery
antidepressants, anxiolytics, antipsychotics, analgesics and acrylic on mdf cutoutLLANO
Description
Human-crafted. AI-refined.

This minimalist artwork features the word "DOCENT" rendered in large, bold lettering against a plain white background. The use of a single color and simple typography creates a stark, minimalist composition that draws the viewer's attention to the word itself. The artist likely intended to convey a sense of simplicity, clarity, and the importance of language and communication in the context of art and education, as a docent is a guide or educator in a museum or gallery setting. ...

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Enrique López Llamas
Artist
Enrique López Llamas
B.1993, Mexican

Enrique López Llamas (Aguascalientes, MX – 1993) Enrique López Llamas’ work explores current phenomena through the appropriation and reinterpretation of strategies and images from art history and his personal experience. Through memory, fiction, humor, and nostalgia, he develops ideas that translate into media such as painting, video, performance, and installation. His projects are characterized by an interest in narrative speculation as a tool to address the cultural and power structures that shape our times. ...

Enrique López Llamas: Artworks
La maldita primavera (Alfred Henry Maurer 1)
La maldita primavera (Christopher Wood 2)
La maldita primavera (Christopher Wood 3)
La maldita primavera (Henri Matisse 3)
La maldita primavera (Ida O’Keeffe)
La maldita primavera (Mark Rothko)
La maldita primavera (Mary Cassatt)
Enrique López LlamasLa maldita primavera (Mary Cassatt)
115.5 x 106 x 2cm
La maldita primavera (Van Gogh 1)
Enrique López LlamasLa maldita primavera (Van Gogh 1)
115.5 x 69 x 2cm
LLANO
Gallery
LLANO
Mexico City

LLANO is a Mexican platform focused on artists whose production is the result of long-term research. Their body of work is often related to science, history, technology as well as forgotten wisdom and unforeseen communities. LLANO highlights thought processes and thorough research, creating crosspoints and strong bonds with the work from an immersive standpoint. It aims to take the spectator beyond traditional exhibition formats and deeper into the original source of the work. LLANO is an all-around project where exhibition space evolves into many shapes: from an open field in the top of a former textile factory in Mexico City to volcanos, jungles, deserts, oceans, mountains, as well as urban landscapes and historical landmarks. The diverse projects it presents begin as expeditions that go directly into the context that sourced inspiration and information for the artist and are the natural niches to where the work belongs. LLANO’s intention is to build bridges between the spectator and the profound reasons that hold artworks together, in order to experiment art from a new and different standpoint, both literally and symbolically. ...

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