La maldita primavera (Alfred Henry Maurer 3)

Enrique López Llamas

La maldita primavera (Alfred Henry Maurer 3)115 x 90 x 2cmSign in to view price
Details
MaterialGallery
antidepressants, anxiolytics, antipsychotics, analgesics and acrylic on mdf cutoutLLANO
Description
Human-crafted. AI-refined.

This vibrant contemporary artwork showcases a lively bouquet of flowers in a vase. The composition is marked by a bold and expressive use of color, with a dynamic interplay of warm and cool tones. The shapes and brushstrokes create a sense of movement and energy, giving the floral arrangement a sense of vitality. The painting style appears to be a modern interpretation of a traditional still life, using abstraction and expressive techniques to capture the essence of the subject matter. The artist's intention seems to be celebrating the beauty and vibrancy of nature through a visually striking and emotive artistic expression. ...

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Enrique López Llamas
Artist
Enrique López Llamas
B.1993, Mexican

Enrique López Llamas (Aguascalientes, MX – 1993) Enrique López Llamas’ work explores current phenomena through the appropriation and reinterpretation of strategies and images from art history and his personal experience. Through memory, fiction, humor, and nostalgia, he develops ideas that translate into media such as painting, video, performance, and installation. His projects are characterized by an interest in narrative speculation as a tool to address the cultural and power structures that shape our times. ...

Enrique López Llamas: Artworks
La maldita primavera (Alfred Henry Maurer 1)
Enrique López Llamas
La maldita primavera (Alfred Henry Maurer 1)
115 x 85.2 x 2cm
La maldita primavera (Alfred Henry Maurer 2)
Enrique López Llamas
La maldita primavera (Alfred Henry Maurer 2)
115 x 75 x 2cm
La maldita primavera (Alfred Henry Maurer 3)
Enrique López Llamas
La maldita primavera (Alfred Henry Maurer 3)
115 x 90 x 2cm
La maldita primavera (Christopher Wood 2)
Enrique López Llamas
La maldita primavera (Christopher Wood 2)
120 x 73.5 x 2cm
La maldita primavera (Christopher Wood 3)
Enrique López Llamas
La maldita primavera (Christopher Wood 3)
120 x 73.5 x 2cm
La maldita primavera (Henri Matisse 3)
Enrique López Llamas
La maldita primavera (Henri Matisse 3)
115 x 101 x 2cm
La maldita primavera (Ida O’Keeffe)
Enrique López Llamas
La maldita primavera (Ida O’Keeffe)
115 x 73 x 2cm
La maldita primavera (Mark Rothko)
Enrique López Llamas
La maldita primavera (Mark Rothko)
90 x 117 x 2cm
La maldita primavera (Mary Cassatt)
Enrique López Llamas
La maldita primavera (Mary Cassatt)
115.5 x 106 x 2cm
La maldita primavera (Van Gogh 1)
Enrique López Llamas
La maldita primavera (Van Gogh 1)
115.5 x 69 x 2cm
What happens if you stare at yourself in the mirror for hours?
Enrique López Llamas
What happens if you stare at yourself in the mirror for hours?, 2024
194 x 225 x 12cm
Ready to give up, so I seek the Old Earth
Enrique López Llamas
Ready to give up, so I seek the Old Earth, 2024
133 x 170 x 12cm
LLANO
Gallery
LLANO
Mexico City

LLANO is a Mexican platform focused on artists whose production is the result of long-term research. Their body of work is often related to science, history, technology as well as forgotten wisdom and unforeseen communities. LLANO highlights thought processes and thorough research, creating crosspoints and strong bonds with the work from an immersive standpoint. It aims to take the spectator beyond traditional exhibition formats and deeper into the original source of the work. LLANO is an all-around project where exhibition space evolves into many shapes: from an open field in the top of a former textile factory in Mexico City to volcanos, jungles, deserts, oceans, mountains, as well as urban landscapes and historical landmarks. The diverse projects it presents begin as expeditions that go directly into the context that sourced inspiration and information for the artist and are the natural niches to where the work belongs. LLANO’s intention is to build bridges between the spectator and the profound reasons that hold artworks together, in order to experiment art from a new and different standpoint, both literally and symbolically. ...

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