La maldita primavera (Christopher Wood 3)

Enrique López Llamas

La maldita primavera (Christopher Wood 3)120 x 73.5 x 2cm6000 USD
Details
MaterialGallery
antidepressants, anxiolytics, antipsychotics, analgesics and acrylic on mdf cutoutLLANO
Description
Human-crafted. AI-refined.

This vibrant contemporary artwork features a bouquet of lush, pink flowers arranged in a rustic white ceramic vase. The composition showcases a dynamic interplay of organic shapes and textures, with the bold, expressive brushstrokes and muted earthy tones lending a sense of depth and movement to the piece. The subject matter, a traditional still life arrangement, is imbued with a modern, abstract sensibility, suggesting the artist's intention to capture the ephemeral beauty of the floral subject through a distinctive, painterly approach. This artwork reflects the artist's skillful command of color, form, and technique, creating a visually captivating and emotive representation of a familiar subject. ...

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Enrique López Llamas
Artist
Enrique López Llamas
B.1993, Mexican

Enrique López Llamas (Aguascalientes, MX – 1993) Enrique López Llamas’ work explores current phenomena through the appropriation and reinterpretation of strategies and images from art history and his personal experience. Through memory, fiction, humor, and nostalgia, he develops ideas that translate into media such as painting, video, performance, and installation. His projects are characterized by an interest in narrative speculation as a tool to address the cultural and power structures that shape our times. ...

Enrique López Llamas: Artworks
La maldita primavera (Alfred Henry Maurer 1)
Enrique López LlamasLa maldita primavera (Alfred Henry Maurer 1), nullPrice on Request
La maldita primavera (Alfred Henry Maurer 2)
Enrique López LlamasLa maldita primavera (Alfred Henry Maurer 2), nullPrice on Request
La maldita primavera (Alfred Henry Maurer 3)
Enrique López LlamasLa maldita primavera (Alfred Henry Maurer 3), nullPrice on Request
La maldita primavera (Christopher Wood 2)
Enrique López LlamasLa maldita primavera (Christopher Wood 2), null6000 USD
La maldita primavera (Christopher Wood 3)
Enrique López LlamasLa maldita primavera (Christopher Wood 3), null6000 USD
La maldita primavera (Henri Matisse 3)
Enrique López LlamasLa maldita primavera (Henri Matisse 3), nullPrice on Request
La maldita primavera (Ida O’Keeffe)
Enrique López LlamasLa maldita primavera (Ida O’Keeffe), nullPrice on Request
La maldita primavera (Mark Rothko)
Enrique López LlamasLa maldita primavera (Mark Rothko), null6000 USD
La maldita primavera (Mary Cassatt)
Enrique López LlamasLa maldita primavera (Mary Cassatt), nullPrice on Request
La maldita primavera (Van Gogh 1)
Enrique López LlamasLa maldita primavera (Van Gogh 1), null6000 USD
What happens if you stare at yourself in the mirror for hours?
Enrique López LlamasWhat happens if you stare at yourself in the mirror for hours?, 202412000 USD
Ready to give up, so I seek the Old Earth
Enrique López LlamasReady to give up, so I seek the Old Earth, 202412000 USD
LLANO
Gallery
LLANO
Mexico City

LLANO is a Mexican platform focused on artists whose production is the result of long-term research. Their body of work is often related to science, history, technology as well as forgotten wisdom and unforeseen communities. LLANO highlights thought processes and thorough research, creating crosspoints and strong bonds with the work from an immersive standpoint. It aims to take the spectator beyond traditional exhibition formats and deeper into the original source of the work. LLANO is an all-around project where exhibition space evolves into many shapes: from an open field in the top of a former textile factory in Mexico City to volcanos, jungles, deserts, oceans, mountains, as well as urban landscapes and historical landmarks. The diverse projects it presents begin as expeditions that go directly into the context that sourced inspiration and information for the artist and are the natural niches to where the work belongs. LLANO’s intention is to build bridges between the spectator and the profound reasons that hold artworks together, in order to experiment art from a new and different standpoint, both literally and symbolically. ...