Eclipse I e II

Mano Penalva

Eclipse I e II, 2023137 x 133 x 4cmSign in to view price
Details
MaterialGallery
fabric, magnet sphere and frameLLANO
Description
Human-crafted. AI-refined.

This minimalist artwork features two simple black canvases, each with a large circular burgundy shape at the center. The composition is clean and balanced, with a striking contrast between the dark backgrounds and the subtle, muted tones of the circular elements. The artist's use of basic geometric forms and a limited color palette creates a meditative and contemplative mood, inviting the viewer to ponder the interplay of light and shadow, and the relationship between positive and negative space. This piece reflects the artist's exploration of abstract expressionism and their intent to evoke a sense of introspection and visual tranquility. ...

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Mano Penalva
Artist
Mano Penalva
B.1987, Brazilian

Mano Penalva (Bahía, BR – 1987) Mano Penalva’s process involves his interest in Anthropology and Material Culture, which occurs in this urgency to appropriate common articles found and purchased on the street, popular markets and domestic spaces. Thus, one can recognize a breakdown of frontiers into a globalized language proposed by the meeting of the materials used in the works, either in the appropriation of a national family iconography, or in the juxtaposition of it to other iconographies in different parts of the world. Often subvert the values and meanings and stitching social and philosophical discourses that are evidenced by the forms of created objects. As an artist he explores the poetry obtained by the displacement of materials and objects from his everyday context, working with different media such as painting, video, photography, sculpture and installation. His work brings reflections on the character of objects, how they transit the world, exchange relationships and trade agreements between countries. They acquire different layers of meanings when used by different cultures, impacting on the formation of the customs of a society. Mano emphasizes with his works the idea that the exponential proliferation of objects and images are not intended to train perception or consciousness, but insist on merging with them. ...

Mano Penalva: Artworks
De Olhos Bem Abertos
Mano Penalva
De Olhos Bem Abertos, 2023
200 x 290 x 5cm
Escaravelhos
Mano Penalva
Escaravelhos, 2023
165 x 256 x 4cm
Riacho
Mano Penalva
Riacho, 2023
151 x 163 x 4cm
Lira
Mano Penalva
Lira, 2022
215 x 159 x 12cm
Bed 1
Mano Penalva
Bed 1, 2023
170 x 170 x 8cm
Bed 2
Mano Penalva
Bed 2, 2023
170 x 170 x 8cm
Eclipse I e II
Mano Penalva
Eclipse I e II, 2023
137 x 133 x 4cm
Dunas
Mano Penalva
Dunas, 2023
151 x 214 x 4cm
Berimbau
Mano Penalva
Berimbau, 2023
178 x 149 x 4cm
Lume
Mano Penalva
Lume, 2022
184 x 158 x 12cm
Costale XXXIV
Mano Penalva
Costale XXXIV, 2023
46 x 121 x 4.5cm
Costale XXXIII
Mano Penalva
Costale XXXIII, 2023
40.5 x 91.5 x 4.5cm
Costale XXXII
Mano Penalva
Costale XXXII, 2023
40.5 x 60.5 x 4cm
LLANO
Gallery
LLANO
Mexico City

LLANO is a Mexican platform focused on artists whose production is the result of long-term research. Their body of work is often related to science, history, technology as well as forgotten wisdom and unforeseen communities. LLANO highlights thought processes and thorough research, creating crosspoints and strong bonds with the work from an immersive standpoint. It aims to take the spectator beyond traditional exhibition formats and deeper into the original source of the work. LLANO is an all-around project where exhibition space evolves into many shapes: from an open field in the top of a former textile factory in Mexico City to volcanos, jungles, deserts, oceans, mountains, as well as urban landscapes and historical landmarks. The diverse projects it presents begin as expeditions that go directly into the context that sourced inspiration and information for the artist and are the natural niches to where the work belongs. LLANO’s intention is to build bridges between the spectator and the profound reasons that hold artworks together, in order to experiment art from a new and different standpoint, both literally and symbolically. ...

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