27th History of the Human Face (Lejía)

Eugenio Dittborn

27th History of the Human Face (Lejía), 2004420 x 1260cmSign in to view price
Details
Material
tincture, photosilkscreen, polygal and stitching
Description
Human-crafted. AI-refined.

This striking black and white artwork features a large-scale mural-like composition spanning an entire gallery wall. The visual elements consist of a dynamic arrangement of abstract, overlapping shapes and silhouettes, creating a sense of depth and movement. The subject matter appears to depict a diverse array of human figures, though their identities are obscured, lending the piece a sense of universality. The artist's distinctive technique blends photographic imagery with gestural, almost painterly brushstrokes, resulting in a powerful, emotive work that explores themes of identity, diversity, and the human experience. The historical context and artist's intention behind this contemporary artwork suggest a thought-provoking examination of the human condition. ...

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Eugenio Dittborn
Artist
Eugenio Dittborn
B.1984, Chilean

Chilean printmaker, painter, draughtsman and video artist Eugenio Dittborn has been creating what he terms ‘Airmail Paintings’ for the past four decades. These works, executed on brown paper, cotton duck or non-woven fabric, comprise found images originating from various media, such as books and magazines. Dittborn sees his appropriation as a means of ‘completing the visibility’; disseminating ‘lost’ images – perhaps only viewed for a few seconds when one is flicking through a magazine – through their postage and elevation into the gallery. The artist considers the folds in the paintings, made to fit the works into envelopes, as the contours of their passage, the lines on maps, and the ‘traces of the cultural and political landscapes through which they travel.’ ...

Eugenio Dittborn: Artworks
Viajar, sin Embargo
To Travel
Eugenio DittbornTo Travel, 1990
215 x 560cm
To Return (YVR)
Pieta (6+3+206)
Heráldica
Eugenio DittbornHeráldica, 2003
280 x 210cm
Corche
Eugenio DittbornCorche, 2004
210 x 140cm
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