Heráldica

Eugenio Dittborn

Heráldica, 2003280 x 210cmPrice on Request
Details
Material
tincture, photosilkscreen, polygal, and stitching on 2 sections of duck fabric
Description
Human-crafted. AI-refined.

This vibrant contemporary artwork features a collage of various images and symbols. The dominant color scheme is a warm, earthy palette of reds, browns, and blacks. The composition is divided into distinct panels that showcase a range of abstract and representational elements, including a disembodied head, a building, and a small boat navigating a turbulent sea. The artist's style blends surreal and expressionistic techniques, creating a dreamlike and contemplative atmosphere. This piece appears to explore themes of human experience, memory, and the interconnectedness of the individual and the collective, reflecting the artist's intention to evoke a sense of introspection and emotional resonance within the viewer. ...

Similar Artworks
Relaciones peligrosas
Mercedes AzpilicuetaRelaciones peligrosas, 2021Price on Request
Who's in the Identity Soup? (Race Dilemma)
Simon FujiwaraWho's in the Identity Soup? (Race Dilemma), 202370000 EUR
untitled 2020 (black flag no. 3, new york times, march 8/26 2018)
Rirkrit Tiravanijauntitled 2020 (black flag no. 3, new york times, march 8/26 2018), 2020Price on Request
Untitled
Richard PrinceUntitled, 2019Price on Request
CASE STUDY HOUSES 8
Ad MinolitiCASE STUDY HOUSES 8, 2015Price on Request
Blue eyes (after the Inca experience)
Andres Pereira PazBlue eyes (after the Inca experience), 2016Price on Request
Teach us to Outgrow our Madness
Alfredo JaarTeach us to Outgrow our Madness, 20206000 USD
Climbing, Jeanette Mundt IV
Jeanette MundtClimbing, Jeanette Mundt IV, 201955000 EUR
The Trans-forming Armour
Mercedes AzpilicuetaThe Trans-forming Armour, 2021Price on Request
Snake Spiral
Chioma EbinamaSnake Spiral, 2023Price on Request
Eugenio Dittborn
Artist
Eugenio Dittborn
1984 , Chilean

Chilean printmaker, painter, draughtsman and video artist Eugenio Dittborn has been creating what he terms ‘Airmail Paintings’ for the past four decades. These works, executed on brown paper, cotton duck or non-woven fabric, comprise found images originating from various media, such as books and magazines. Dittborn sees his appropriation as a means of ‘completing the visibility’; disseminating ‘lost’ images – perhaps only viewed for a few seconds when one is flicking through a magazine – through their postage and elevation into the gallery. The artist considers the folds in the paintings, made to fit the works into envelopes, as the contours of their passage, the lines on maps, and the ‘traces of the cultural and political landscapes through which they travel.’ ...

Eugenio Dittborn: Artworks
Viajar, sin Embargo
Eugenio DittbornViajar, sin Embargo, 1986Price on Request
To Travel
Eugenio DittbornTo Travel, 1990Price on Request
To Return (YVR)
Eugenio DittbornTo Return (YVR), 1993Price on Request
The 18th History of the Human Face (Eyes of Glory)
Eugenio DittbornThe 18th History of the Human Face (Eyes of Glory), 1993Price on Request
Pieta (6+3+206)
Eugenio DittbornPieta (6+3+206), 2001Price on Request
Heráldica
Eugenio DittbornHeráldica, 2003Price on Request
Corche
Eugenio DittbornCorche, 2004Price on Request
27th History of the Human Face (Lejía)
Eugenio Dittborn27th History of the Human Face (Lejía), 2004Price on Request
Where Everything is Twice
Eugenio DittbornWhere Everything is Twice, 2007Price on Request
Coudre Provisoirement a Long Points
Eugenio DittbornCoudre Provisoirement a Long Points, 2011Price on Request
For Details,  The Bristles of The Brushes
Eugenio DittbornFor Details, The Bristles of The Brushes, 2007Price on Request