Where Everything is Twice

Eugenio Dittborn

Where Everything is Twice, 2007210 x 280cmPrice on Request
Details
Material
tincture, stitching, texido and photosilkscreen on 4 sections of duck fabric
Description
Human-crafted. AI-refined.

This contemporary mixed media artwork features a striking composition of bold colors and abstract forms. The dominant hues of yellow and black create a dynamic visual contrast, while the silhouetted shapes and patterns suggest a desert or natural landscape. The artist has employed a combination of drawing, painting, and collage techniques, resulting in a dynamic and layered surface. The playful yet enigmatic imagery and the juxtaposition of organic and geometric elements evoke a sense of imagination and mysticism, hinting at the artist's intention to explore themes of the natural world and the human experience within it. ...

Similar Artworks
Cultura peruana
Andres Pereira PazCultura peruana, 2016Price on Request
On the Dignity of Codpieces
Mercedes AzpilicuetaOn the Dignity of Codpieces, 2021Price on Request
untitled 2020 (black flag no. 3, new york times, march 8/26 2018)
Rirkrit Tiravanijauntitled 2020 (black flag no. 3, new york times, march 8/26 2018), 2020Price on Request
The Trans-forming Armour
Mercedes AzpilicuetaThe Trans-forming Armour, 2021Price on Request
Another Punished
Jeanette MundtAnother Punished, 2023Price on Request
Who is le Désespéré?
Simon FujiwaraWho is le Désespéré?, 202270000 EUR
Snake Spiral
Chioma EbinamaSnake Spiral, 202312500 USD
Untitled
Richard PrinceUntitled, 2019675000 USD
DRAGS III
Andres Pereira PazDRAGS III, 2016Price on Request
Nightlife
Ad MinolitiNightlife, 2017136 GBP
Teach us to Outgrow our Madness
Alfredo JaarTeach us to Outgrow our Madness, 2020Price on Request
Eugenio Dittborn
Artist
Eugenio Dittborn
B.1984, Chilean

Chilean printmaker, painter, draughtsman and video artist Eugenio Dittborn has been creating what he terms ‘Airmail Paintings’ for the past four decades. These works, executed on brown paper, cotton duck or non-woven fabric, comprise found images originating from various media, such as books and magazines. Dittborn sees his appropriation as a means of ‘completing the visibility’; disseminating ‘lost’ images – perhaps only viewed for a few seconds when one is flicking through a magazine – through their postage and elevation into the gallery. The artist considers the folds in the paintings, made to fit the works into envelopes, as the contours of their passage, the lines on maps, and the ‘traces of the cultural and political landscapes through which they travel.’ ...

Eugenio Dittborn: Artworks
Viajar, sin Embargo
Eugenio DittbornViajar, sin Embargo, 1986Price on Request
To Travel
Eugenio DittbornTo Travel, 1990Price on Request
To Return (YVR)
Eugenio DittbornTo Return (YVR), 1993Price on Request
The 18th History of the Human Face (Eyes of Glory)
Eugenio DittbornThe 18th History of the Human Face (Eyes of Glory), 1993Price on Request
Pieta (6+3+206)
Eugenio DittbornPieta (6+3+206), 2001Price on Request
Heráldica
Eugenio DittbornHeráldica, 2003Price on Request
Corche
Eugenio DittbornCorche, 2004Price on Request
27th History of the Human Face (Lejía)
Eugenio Dittborn27th History of the Human Face (Lejía), 2004Price on Request
Where Everything is Twice
Eugenio DittbornWhere Everything is Twice, 2007Price on Request
Coudre Provisoirement a Long Points
Eugenio DittbornCoudre Provisoirement a Long Points, 2011Price on Request
For Details, The Bristles of The Brushes
Eugenio DittbornFor Details, The Bristles of The Brushes, 2007Price on Request
Subscribe to our newsletter to stay notified.
Terms & ConditionsPrivacy PolicyInstagram