For Details,  The Bristles of The Brushes

Eugenio Dittborn

For Details, The Bristles of The Brushes, 2007210 x 280cmSign in to view price
Details
Material
tincture, stitching, embroidery, texido and photosilkscreen on 2 sections of duck fabric
Description
Human-crafted. AI-refined.

This artwork employs a collage technique, using black-and-white photographs and sketched elements. The composition features contrasting figures, including a rough, shadowy silhouette and a child-like, cartoon-style drawing. The monochromatic palette and abstract, fragmented presentation create a striking visual juxtaposition. The work appears to explore themes of duality, the relationship between the real and the imagined, and the coexistence of opposing forces. This piece may reflect the artist's commentary on the complexities of human nature or society. ...

Similar Artworks
Masks (Merkel)
Simon FujiwaraMasks (Merkel), 2015
62.5 x 105.4 x 4.5cm
Who are the flowers? (S14)
Who are the flowers? (S16)
Hug
Ad MinolitiHug, 2021
115 x 115cm
Play Theatre (4)
Untitled
Richard PrinceUntitled, 2019
205.7 x 129.5 x 4cm
Make a monkey out of clay
Rirkrit TiravanijaMake a monkey out of clay, 2011
35.6 x 50.8 x 3.2cm
Abya Yala (Tierra Madura)
DRAGS III
Andres Pereira PazDRAGS III, 2016
45 x 60cm
Debauche Femmes
Jeanette MundtDebauche Femmes, 2023
92 x 122 x 4cm
Cloud gazing (americium)
Untitled
Richard PrinceUntitled, 1998
27.94 x 21.59cm
Snake Spiral
Nightlife
Ad MinolitiNightlife, 2017
40.6 x 50.8cm
Eugenio Dittborn
Artist
Eugenio Dittborn
B.1984, Chilean

Chilean printmaker, painter, draughtsman and video artist Eugenio Dittborn has been creating what he terms ‘Airmail Paintings’ for the past four decades. These works, executed on brown paper, cotton duck or non-woven fabric, comprise found images originating from various media, such as books and magazines. Dittborn sees his appropriation as a means of ‘completing the visibility’; disseminating ‘lost’ images – perhaps only viewed for a few seconds when one is flicking through a magazine – through their postage and elevation into the gallery. The artist considers the folds in the paintings, made to fit the works into envelopes, as the contours of their passage, the lines on maps, and the ‘traces of the cultural and political landscapes through which they travel.’ ...

Eugenio Dittborn: Artworks
Viajar, sin Embargo
To Travel
Eugenio DittbornTo Travel, 1990
215 x 560cm
To Return (YVR)
Pieta (6+3+206)
Heráldica
Eugenio DittbornHeráldica, 2003
280 x 210cm
Corche
Eugenio DittbornCorche, 2004
210 x 140cm
Unlock Price & Inquiry Access