Visibility (In Pale Clothing And With Hands On Hips #1)

Fabienne Audéoud

Visibility (In Pale Clothing And With Hands On Hips #1), 2022120 x 91.5cmSign in to view price
Details
Material
printed velvet on stretcher
Description
Human-crafted. AI-refined.

The artwork features a monochrome photograph depicting a person dressed in an elaborate, flowing white garment, seemingly in a contemplative or pensive pose. The striking visual elements include the stark contrast between the white clothing and the neutral background, creating an ethereal, dreamlike quality. The subject's posture and concealed face suggest an introspective or emotive state. The artistic style and technique employed here emphasize the sculptural, almost sculptural qualities of the fabric, while the overall context suggests a symbolic or spiritual interpretation of the subject's identity or role. This evocative image invites the viewer to reflect on themes of introspection, spirituality, and the human condition. ...

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Fabienne Audéoud
Artist
Fabienne Audéoud
B.1968

Fabienne Audéoud lives and works in Paris after a dozen years in London and a twoyear residency at the Jan van Eyck Academy in Maastricht. It’s after a M.A. in fine art at Goldsmiths that her work, until then mostly musical, re-focused on visual art practices and developed in the 90’s British art scene. Her body of work has been widely shown in independent spaces as well as in major international institutions. It includes paintings, videos, a collection of perfumes and various performances. It is focused on power relations within language, gender and the politics of representation. She is interested in ‘what a piece is doing’ and what is being performed in terms of cultural, sociological and political impacts. Rather than the illustration of critical positions or the demonstration of a position of knowledge, she prefers to find or create a space for interventions, where an action is possible, with what Robert Garnett describes as ‘the logic of the joke, a disruptive affect rather than an ironic commentary’. ...

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