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The artwork features a utilitarian-looking black and yellow device with various adjustable elements, suggesting an industrial or technological nature. The overall composition is minimalist, with the device standing out against the plain white background. The angular, sturdy design and the bright accent colors convey a sense of purpose and functionality, hinting at the device's potential use in a specialized or technical context. Without further context, the artist's intention behind this piece may relate to exploring the aesthetics of industrial design or highlighting the visual qualities of a practical tool or apparatus. ...
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Fan Bangyu moves fluidly among sculpture, installation, sound, assemblage, and kinetic media. Their work unfolds like a non-linear narrative, where visual, auditory, and olfactory elements coalesce to form uncanny sensory environments. Drawing on working-class and queer identities, Fan manipulates found objects and organic materials—like decomposing instruments or decayed textiles—into sculptural puzzles that collapse and intertwine, resisting easy categorization. Their installations often evoke a kind of disordered poetry, opening sensory space that undermines narrative coherence and fixed meaning. Sound plays a central role in their practice: by weaving chaotic auditory textures and kinetic motion into sculptural forms, Fan challenges norms of harmony, unsettling viewers' expectations and inviting alternative interpretations of space and narrative. ...
Studio/Chapple is a contemporary art gallery and project space in Deptford, South-East London. Positioned at the intersection between contemporary emerging art, club culture and sonic production, the gallery activates a unique conversation that highlights the relationship between sonic and and visual artistic ecologies.