Chantal after James Bidgood and Jean Genet

Jamie Crewe

Chantal after James Bidgood and Jean Genet, 201645.72cmSign in to view price
Details
Material
video still
Description
Human-crafted. AI-refined.

This abstract artwork features a vibrant blend of warm and cool tones, creating a dreamlike, ethereal atmosphere. The composition is a swirling, organic arrangement of shapes and textures that evoke a sense of movement and energy. The use of blurred, out-of-focus elements adds depth and a sense of mystery to the piece. The artist's intention seems to be to capture the transient, fleeting nature of natural phenomena, inviting the viewer to engage in a meditative contemplation of the ever-changing beauty of the natural world. ...

Similar Artworks
Untitled (Eva)
Simone Kennedy DoigUntitled (Eva), 2018
80 x 60cm
Dear Bonnie
Simone Kennedy DoigDear Bonnie, 2020
190 x 160cm
Slanted Wavy Boot (Vertical)
4-colour wavy boot
Anthea Hamilton4-colour wavy boot, 2018
151 x 40 x 33cm
Leg Chair (Rankaku II)
White heart bitter squash
Engraved carnival squash
Sleeve Front L
Tanoa SasrakuSleeve Front L, 2023
94 x 58 x 4.5cm
Just Kimonos’ Kimono
Mama Moth Sofa
Anthea HamiltonMama Moth Sofa, 2019
110 x 360 x 134cm
BLE
Navine G. Khan-DossosBLE, 2021
Safi's Kid
Sophia Al MariaSafi's Kid, 2021
47.5 x 68.2 x 3.5cm
Gisant II
Paul MahekeGisant II, 2024
39.8 x 129.7cm
Night Flowers 8
Potash takes spironolactone
Artist
Jamie Crewe
B.1987

A self-named ‘vicious changeling’, Jamie Crewe explores themes of identity, community, heartbreak, LGBTQIA+ solidarity and support through an experimental combination of film, installation, sculpture and text. Often taking renowned pieces of literature, film and theatre as their starting point, Crewe creates eloquent works that defy categorization and exist in the cracks of apparently unmovable binaries. In their Solidarity and Love exhibition (Humber Street Gallery, 2020), Crewe explored the legacy of Radclyffe Hall’s 1928 novel The Well of Loneliness among the contemporary queer community. In their Female Executioner exhibition (Gasworks, 2017) they worked with Rachilde’s Monsieur Venus: A Materialist Novel (1884), misreading the novel in relation to the artist’s personal trans experience. Crewe’s moving image works, such as their ‘rural horror’ film, Ashley (2020), address the continuous transformation inherent to a trans life, fueled by a sense of identity and desire, belonging and trauma. In such a way, transformation, through cuts, splits, restagings and reinterpretations, lands at the core of Crewe’s practice. ...

Unlock Price & Inquiry Access