Miserable Wretch

Jamie Crewe

Miserable Wretch, 201729.7 x 42cmSign in to view price
Details
Material
screen print
Description
Human-crafted. AI-refined.

This contemporary artwork features a bold, handwritten text in a striking yellow color, conveying a message about a dear sister and the importance of believing in oneself, even when facing challenges. The text is set against a minimalist, grid-like background with a simple architectural structure, creating a visually striking contrast. The artist, Marie Sivvert, appears to be exploring themes of personal growth, resilience, and the power of language to inspire and uplift. The overall style and technique of the piece suggest a conceptual approach, using simple yet impactful elements to deliver a profound and thought-provoking message. ...

Similar Artworks
Club Pool (Elephant and Castle)
Simone Kennedy Doig
Club Pool (Elephant and Castle), 2018
240 x 185cm
Bruce
Face Value (Dollar Baby)
Sin Wai Kin
Face Value (Dollar Baby), 2017
34.5 x 31.5 x 7cm
Sleeve Front L
Tanoa Sasraku
Sleeve Front L, 2023
94 x 58 x 4.5cm
The boundary of you and not you 1
Sin Wai Kin
The boundary of you and not you 1, 2020
34.5 x 31.5 x 7cm
Dear Bonnie
Simone Kennedy Doig
Dear Bonnie, 2020
190 x 160cm
Ancestral Muse IV
Paul Maheke
Ancestral Muse IV, 2023
93 x 68 x 4.5cm
Knife, Scalpel, Blade
P. Staff
Knife, Scalpel, Blade, 2022
199 x 179cm
Joints
Someone who isn't you
Sin Wai Kin
Someone who isn't you, 2020
34.5 x 31.5 x 7cm
The Profitless Gift
Jala Wahid
The Profitless Gift, 2021
The Camera, A Mirror, A Sniper, A Femme (Beast Type Song Scripts)
Sophia Al Maria
The Camera, A Mirror, A Sniper, A Femme (Beast Type Song Scripts), 2020
43 x 32.5 x 2cm
Part and Proposal: Storr
Tanoa Sasraku
Part and Proposal: Storr, 2021
29.7 x 21cm
Potash takes spironolactone
Artist
Jamie Crewe
B.1987

A self-named ‘vicious changeling’, Jamie Crewe explores themes of identity, community, heartbreak, LGBTQIA+ solidarity and support through an experimental combination of film, installation, sculpture and text. Often taking renowned pieces of literature, film and theatre as their starting point, Crewe creates eloquent works that defy categorization and exist in the cracks of apparently unmovable binaries. In their Solidarity and Love exhibition (Humber Street Gallery, 2020), Crewe explored the legacy of Radclyffe Hall’s 1928 novel The Well of Loneliness among the contemporary queer community. In their Female Executioner exhibition (Gasworks, 2017) they worked with Rachilde’s Monsieur Venus: A Materialist Novel (1884), misreading the novel in relation to the artist’s personal trans experience. Crewe’s moving image works, such as their ‘rural horror’ film, Ashley (2020), address the continuous transformation inherent to a trans life, fueled by a sense of identity and desire, belonging and trauma. In such a way, transformation, through cuts, splits, restagings and reinterpretations, lands at the core of Crewe’s practice. ...

Jamie Crewe: Artworks
Adulteress
Jamie Crewe
Adulteress, 2017
55.88cm
Inert Being
Miserable Wretch
Jamie Crewe
Miserable Wretch, 2017
29.7 x 42cm
Wax Figure
Teleny
Chantal after James Bidgood and Jean Genet
Jamie Crewe
Chantal after James Bidgood and Jean Genet, 2016
45.72cm
Potash takes spironolactone
Jamie Crewe
Potash takes spironolactone, 2017
29.7 x 42cm
Unlock Price & Inquiry Access