Jan Wade

Jan Wade was born to a Black Canadian father with familial origins in the American South and a Canadian mother of European descent. Raised in a relatively segregated but close-knit Black community within the city, her formative years were heavily influenced by her local African Methodist Episcopal Church. She was also greatly influenced by Southern US Black culture and aesthetics from the perspectives of her paternal grandmother and great-grandmother. Wade moved to Vancouver in 1983 and became part of the underground art and music scene in the city, with its innovative performances, do-it-yourself art shows, anti-establishment ethos and spontaneous happenings. During this period Wade began her research into African diasporic spiritual practices and decided she wanted her art to reflect where she came from and who she is, commencing her unique artistic journey marked by self-sufficiency, empowerment, hope and radical joy. The artist produces a wide range of mixed-media works made entirely from found or readymade objects and recycled materials. After three decades spent on the fringe of the cultural mainstream, Wade has received overdue acknowledgement for her unique contributions to Canadian art. Jan Wade: Soul Power (2021)—the landmark first solo exhibition by a Black woman in the Vancouver Art Gallery’s ninety-year history—presents the artist’s mixed-media assemblages, paintings, textiles, and sculptural objects from the 1990s to the present day. ...

Founded in 2012, Richard Saltoun Gallery specialises in contemporary art, with an emphasis on feminist, conceptual and performance artists from the 1960s onwards. It is guided by a strong focus on rediscovering the work of important yet under-recognised artists through presentations at both its locations, online exhibitions, events and participation in art fairs around the world. Since its inception, Richard Saltoun Gallery has been driven by an interest in serving a wider purpose and is now recognised for its critically and socially-engaged programme. In 2019, the gallery launched a year-long initiative titled 100% Women that aimed to address gender inequality in the art world and encourage wider industry action through debate, dialogue and collaboration. In 2021, it dedicates all exhibitions to the writings of German-born, American political philosopher Hannah Arendt in a 12-month programme On Hannah Arendt to confront some of the most perplexing socio-political issues of our time. The gallery is considered a leader in its representation of female artists, from avant-garde pioneers of the 1960s and ‘70s, such as Eleanor ANTIN, Renate BERTLMANN and Gina PANE, to a younger generation of female artists including Silvia GIAMBRONE and Florence PEAKE. It continues to support female artists through extensive research, partnerships and solo presentations at the gallery and online. Additionally, Richard Saltoun is noted for its support of pioneering artists who have pushed the conceptual and disciplinary boundaries in which they work, from LI Yuan-chia, one of the earliest proponents of abstract and conceptual art in Taiwan, to ULAY, the late photographer and performance artist, as well as British artists Victor BURGIN, Rose ENGLISH, John HILLIARD, Peter KENNARD, Bob LAW, Penny SLINGER and more. The gallery preserves the legacy of artists through its representation of artist estates, including Helen CHADWICK, David HALL, Alexis HUNTER, Bob LAW, Marinella PIRELLI, Jo SPENCE, Barbara LEVITTOUX-ŚWIDERSKA and Shelagh WAKELY, amongst others. The gallery acts as a consultant to major museums and public institutions and advises private and corporate collections. It actively documents the work of its artists through the production of publications and frequently stages talks, screenings and performances. ...