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The artwork features a minimalist, geometric composition with a prominent white concrete structure. The overall design is characterized by clean lines, angles, and a neutral color palette. The central element appears to be a cylindrical form or pipe protruding from the rectangular concrete surface, suggesting an industrial or functional aesthetic. The artwork's simplicity and use of basic materials create a sense of stark, uncompromising modernity. Given the artist's focus on architectural forms and industrial materials, this piece likely reflects the influence of Constructivist or Brutalist design principles, emphasizing structural integrity and exploring the expressive potential of raw, unfinished building materials. ...
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Adam Shiu-Yang Shaw studies the influence of architecture and urban environments on memory, perception, and emotional experience. His practice highlights neglected or forgotten elements within the built landscape—such as abandoned sites, outdated infrastructure, and remnants of past human presence. By moving through different urban contexts, Shaw uncovers the physical and psychological strata embedded in these spaces, transforming them into material for his immersive installations. Working across sculpture, sound, and image, Shaw constructs hybrid environments from salvaged objects, architectural fragments, and everyday materials. His process involves collecting, deconstructing, and reassembling elements into complex spatial collages that suggest timelines in flux. These assemblages recall museum displays or archival storage, but instead of presenting resolved histories, they gesture toward uncertainty, absence, and transformation. Shaw’s practice is grounded in a quiet archaeology—one that unearths not monumental histories, but the residue of lived experience. By combining craft, memory, and material culture, he creates immersive works that invite reflection on place, loss, and the shifting nature of belonging. His installations do not replicate the city; they reimagine it as a site of layered stories, partial erasures, and speculative futures. ...
Wschód /vshood/ translates to sunrise, new beginning. It also refers to geographical east. Wschód is a contemporary art gallery founded in 2017 in Warsaw by curator and critic Piotr Drewko. The gallery represents international artists working across a wide spectrum of practices including video, sculpture, installation, painting. Apart from the exhibition program the gallery initiates a wide range of cultural activities – publication, institutional projects, podcasts in collaboration with artists, curators, critics. In 2018, Wschód initiated a gallery exchange program Friend of a Friend. In 2022 the gallery conceived a time-shared exhibition space ECHO in Cologne. Starting from the Fall of 2023, Wschód has expanded to New York with a yearly curated program of exhibitions and video / film projects. ...