Isabelle Cornaro
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Description
Human-crafted. AI-refined.This contemporary artwork features a striking monochromatic composition in shades of navy and black. The canvas is dominated by a dynamic, abstract arrangement of fan-like shapes and organic, nebulous forms that seem to radiate outward from the center. The visual elements create a sense of motion and energy, with the repetitive, overlapping patterns adding depth and texture to the piece. The overall style and technique reflect an experimental, sculptural approach to painting, blurring the boundaries between two-dimensional and three-dimensional art. This work likely explores themes of the natural world, the cosmos, or the artist's own creative process through its evocative, enigmatic imagery. ...
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Isabelle Cornaro
1974 , FrenchThrough painting, sculpture, installation and film, Isabelle Cornaro explores the ways history and culture affect contemporary society’s perception of reality. A trained art historian specialising in 16th century European Modernism, the artist developed a visual language with art historical references to a wide range of periods, from baroque to modernism. In her series of installations titled Paysage avec poussin et témoins, Cornaro deconstructs landscapes in paintings of 17th-century artist Nicolas Poussin. Through the use of pedestals and meticulous orchestration of the display of objects, pathways and shadows, she turns landscapes into three-dimensional installations, questioning their cultural and aesthetic value. Cornaro often works with found objects and their assigned symbolism in the Western power dynamics, cultural representation and art history, tracing and challenging ways they shape one’s understanding of the world. ...
Isabelle Cornaro: Artworks
Galerie Francesca Pia
ZürichGalerie Francesca Pia was founded 1990 in Bern and from their first exhibitions forward has consistently fostered contemporary artists including Betty Woodman (1990), Peter Fischli & David Weiss (1992), Hans-Peter Feldmann (1993), Thomas Bayrle (1998), Mai-Thu Perret (2000), Wade Guyton (2004), Jutta Koether (2008) and Rochelle Feinstein (2016) et al. Today the gallery is known for the discovery and promotion of emerging artists. After 16 years in Bern, the gallery moved to a larger space in Zurich in 2007. In 2012 the gallery extended and relocated to a more generous space in the historic Löwenbrau building, where it continues to engage in an ambitious program, representing over thirty artists of different generations. ...