The artwork presents a close-up, blurred view of a lush, green grass field. The composition features a soft, hazy focus that emphasizes the textural qualities of the grass, with its undulating shapes and glistening dew drops visible. The overall palette is dominated by various shades of green, creating a serene and tranquil atmosphere. The technique employed appears to be a photographic or digital manipulation technique that intentionally blurs the image, lending it a dreamlike, almost ethereal quality. This work likely aims to capture the beauty and essence of a natural setting, inviting the viewer to pause and appreciate the simple pleasures found in the natural world. ...
José Eduardo Barajas (b. 1990, Mexico City) lives and works in Mexico City. Barajas approaches painting and drawing as a discipline to monitor luminous atmospheres, color patterns, and emotional climates. Referencing various pictorial traditions, popular motifs, and technical processes, he reconstructs fragments of collective memory and personal memories. His work is based on contrasts such as, abstraction and figuration, panoramic views and close-ups, dynamism and stillness.
He is a graduate of the bachelor’s degree program at the National School of Painting, Sculpture, and Printmaking “La Esmeralda’’ in Mexico City, MX. He has exhibited individually and collectively in Mexico and abroad, some of his recent exhibitions include: El Fin de lo Maravilloso, Cyberpop en México; Museo del Chopo, CDMX, MX; Saliva at PEANA, CDMX, MX; Es ist nur eine Frage der Zeit at Echo Cologne & Lodos in Cologne, DE; Mnemósine at Proyectos Multipropósito, CDMX, MX; Equator at Estrella Gallery in New York, US; Spookie butt at Terén CED in Brno, CZ; ¿Por dónde sale el sol? at Jardín de casa Barragán, CDMX, MX; Campamento para jóvenes Naturalistas at Museo de la Ciudad de Querétaro, MX; and Ajuscos_Expo at Charim Galerie in Vienna, AT. ...
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