This contemporary artwork features a grid-like composition of nine square tiles, each depicting an abstract organic design in muted shades of purple and gray. The overall visual elements create a textured, architectural effect through the use of layered, repetitive shapes and patterns. The subject matter appears to be a fantastical, biomorphic landscape, with hints of botanical and aquatic forms. The artist employs a distinctive relief printing or sculpting technique, resulting in a tactile, bas-relief surface. This piece likely reflects the artist's exploration of the intersection between nature, industry, and the human experience. ...
Tomás Díaz Cedeño (b. 1983, Mexico City) lives and works in Mexico City. His artistic production delves into the interplay between the natural and the artificial, resulting in unique syncretic and liminal encounters where landscape, materials, and the body converge. Diaz Cedeño utilizes natural and found pigments, clay, and metal in his creative process, often incorporating performative solo rituals and interaction with technology. This approach yields alternative representations of the body and organic structures found in nature.
Díaz Cedeño’s recent individual and group shows have taken place at Silke Lindner, New York, US; Museo MARCO, Monterrey, MX; Fundación Casa de México en España, Madrid, SP; François Ghebaly in Los Angeles, US; Galerie Nordenhake in CDMX, MX; Frieze London, UK; LISTE Basel, CH; Blain Southern in London, UK; Museo de Arte Carillo Gil, CDMX, MX; Museo del Chopo, CDMX, MX; and PEANA Monterrey, MX. He was part of the New Museum Triennial in 2021 in New York, US. Recent residency programs completed by the artist include LaCasaPark Artist Residency in New York, US; and Casa Wabi in Puerto Escondido, MX. ...
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