The artwork features a nine-panel composition with a striking, textured surface. The predominant colors are deep blues and grays, accentuated by metallic accents that create a dynamic, almost organic pattern across the panels. The overall composition has a sense of depth and movement, evoking a natural, geological aesthetic. The artist's use of materials and techniques, such as the layering and manipulation of the surface, suggest an exploration of the interplay between the natural and the man-made. This piece likely reflects the artist's intention to challenge traditional notions of materiality and the boundaries between abstraction and representation in contemporary art. ...
Tomás Díaz Cedeño (b. 1983, Mexico City) lives and works in Mexico City. His artistic production delves into the interplay between the natural and the artificial, resulting in unique syncretic and liminal encounters where landscape, materials, and the body converge. Diaz Cedeño utilizes natural and found pigments, clay, and metal in his creative process, often incorporating performative solo rituals and interaction with technology. This approach yields alternative representations of the body and organic structures found in nature.
Díaz Cedeño’s recent individual and group shows have taken place at Silke Lindner, New York, US; Museo MARCO, Monterrey, MX; Fundación Casa de México en España, Madrid, SP; François Ghebaly in Los Angeles, US; Galerie Nordenhake in CDMX, MX; Frieze London, UK; LISTE Basel, CH; Blain Southern in London, UK; Museo de Arte Carillo Gil, CDMX, MX; Museo del Chopo, CDMX, MX; and PEANA Monterrey, MX. He was part of the New Museum Triennial in 2021 in New York, US. Recent residency programs completed by the artist include LaCasaPark Artist Residency in New York, US; and Casa Wabi in Puerto Escondido, MX. ...
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