Vidya Gastaldon

Épouvantail (autoportrait en crumbgirl), 2018180 x 140 x 5cm18000 EUR

Details

MaterialGalleryLocation

acrylic on woodGalerie Art : ConceptParis

Description

Human-crafted. AI-refined.

The artwork features a cartoonish, exaggerated female figure with an oversized, muscular build and a playful, mischievous expression. The color palette includes shades of yellow, brown, and green, creating a vibrant and whimsical scene. The composition emphasizes the central figure's strength and confidence, with the outdoor landscape serving as a backdrop. The style and technique employed suggest a subversive and unconventional approach, challenging traditional representations of the female form. This piece may be an artistic commentary on gender norms and societal expectations. ...

Similar Artworks

Dalila Dalléas BouzarStudio Paris (Nicole), 2018Price on Request

Lili Reynaud-DewarI Sing the Body Electric, 2017Price on Request

Dalila Dalléas BouzarSans Titre, 202410000 EUR

Philippe ParrenoMarquee, 2022Price on Request

Latifa EchakhchUntitled (black clouds), 201540000 EUR

Bernard PiffarettiUntitled, 199735000 EUR

Jean-Luc BlancTell me more, 20133500 USD

Corentin GrossmannLa meneuse, 202020000 EUR

Ulla Von BrandenburgPaar, 202120000 EUR

Ugo Rondinonezehnterjulizweitausendundvierundzwanzig, 2024Price on Request

Artist

Vidya Gastaldon

1974 , French

Vidya Gastaldon was born in 1974 in Besançon. She lives and works in Brénod, France. With her mystical, fantastical and extremely vivid approach to art, Vidya Gastaldon develops a sort of harmonisation of qualities both spiritual and physical. Allergic to any attempt to control and restrain her universe, she delivers a cosmic overview combining Hindi divinities, Muppet-Show characters and Christian references. Her work, reminiscent of artists such as Turner, Burchfield, Blake or Bunuel, is extremely multi faced and deals with the divine, the hallucinatory but also with everyday life. In a mixture of sacred, sensual, tongue-in-cheek and sometimes provocative creations, she manages to establish a connection between “being” and “meant to be”. She engenders new beliefs, and by means of negative and positive impulses she pushes social unconsciousness out of the way, liberating our collective thought of the predefined egregores that oblige us to keep reproducing spiritual and social patterns. ...

Vidya Gastaldon: Artworks

Vidya GastaldonAttente/Éveil, 2021Price on Request

Vidya GastaldonSentiment océanique (inquiet), 2021Price on Request

Vidya GastaldonSentiment océanique (calme, neutre, rose), 2021Price on Request

Vidya GastaldonLes colonnes, 2021Price on Request

Vidya GastaldonSentiment océanique (pommettes chaudes), 2021Price on Request

Vidya GastaldonHealing object (chaise fleurie), 201912000 EUR

Vidya GastaldonÉpouvantail (autoportrait en crumbgirl), 201818000 EUR

Vidya GastaldonHealing painting (mediterranean cosmic snake), 20179400 EUR

Vidya GastaldonHealing painting (young parvati), 20176600 EUR

Vidya GastaldonLe long chariot Mixcoatl, 201428000 EUR

Vidya GastaldonGarden party, 201328000 EUR

Vidya GastaldonLet it god (Santa Table), 201319000 EUR

Vidya GastaldonAdvaita (tétraèdes), 200732000 EUR

Vidya GastaldonFloating Mountain 3 (Mt. Hasho), 200619000 EUR

Vidya GastaldonSempervivum, 200332000 EUR

Vidya GastaldonHighills, 201816000 EUR

Vidya GastaldonOcéan sentimental (T), 202222000 EUR

Gallery

Galerie Art : Concept

Paris

To avoid any narcissism the gallery will not bear a name, but instead mark of the end of a century during which the Fine Arts are exhausted of unknown practices and forms, Art: Concept was born. In 1997, the gallery joined its friends in the 13th district of Paris to be part of the adventure of the brand new rue Louise Weiss. Despite unforgettable years in this district, the move to the Marais was inevitable. Today, the gallery is located in a private passage (passage Sainte Avoye) and represents artists with whom it has been working for 25 years as well as young graduates. Trying to reflect the evolution of society, the gallery emphasises its proposals in a multi-faceted reflection on individuality and collectivity in a wide range of contexts. Like Janus, it looks both to the past and the future. Today's world is so in need of reference points that it's reassuring to invent a future, thanks to artists, as well as to compare it to the past. We invite you to ask for it, we will be at the gallery, very happy to explain it to you. ...