Julie Béna

Ouin..., ouin (Gala), 202170 x 60 x 8cm1500 EUR

Details

MaterialGalleryLocation

velvet, knitted lace, cotton, polyester stuffing, soundboxNiCOLETTiLondon

Description

Human-crafted. AI-refined.

This contemporary sculpture depicts a stylized mermaid-like figure in shades of gray. The artwork features sharp, angular shapes and textures that create a dynamic, almost aggressive visual impression. The central form is composed of various geometric elements, including a prominent dorsal fin-like structure and a segmented, scale-patterned tail. The overall composition is striking and conceptual, evoking a sense of strength and power in its abstract representation of a mythical creature. The artist likely intended to challenge traditional ideas of merfolk and marine life through this bold, avant-garde interpretation. ...

Similar Artworks

Farah AtassiSeaside with Bouquet and Citrus, 202433000 USD

Kudzanai-Violet HwamiWith all your friends, 2019Price on Request

Farah AtassiStill Life with Accordion, 2018Price on Request

Morgan CourtoisInstead of stressed, I lie here charmed, 202222000 EUR

Miryam HaddadChasser les regards, 20223000 EUR

Clementine BrunoStorage for apparition, 20203000 GBP

Jean-Marie AppriouYvain, 2020Price on Request

Brook HsuUntitled (Skull), 2021Price on Request

Julie BeaufilsInner Sources, 2024Price on Request

Mélanie MatrangaHelp help help help, nullPrice on Request

Marguerite HumeauVenus of Frasassi, A 10-year-old female human has ingested a rabbit’s brain, 2018Price on Request

Artist

Julie Béna

1982

Julie Béna was born in 1982 in Paris, France, and currently lives and works between Prague and Paris. The work of Julie Béna is made up of an eclectic set of references, combining contemporary and ancient literature, high and low art, humor and seriousness, parallel times and spaces. Comprising sculpture, installation, film, and performance, her work seems to often float in an infinite vacuum, unfolding against a fictional backdrop where everything is possible. Over the past years, Béna has developed a range of personal cosmologies in which she stages seemingly banal characters and objects that have enigmatic conversations and interactions with each other. From Pantopon Rose – a character taken from William S. Burroughs’ ‘Naked Lunch’ –, to Miss None and Mister Peanut – a disembodied floating wig and the iconic monocled anthropomorphic peanut –, Béna lends her characters a singular agency and voice, which defines them by what they are not. ...