I think we're alone now
I think we're alone now
I think we're alone now
I think we're alone now

Anne Bourse

I think we're alone now, 2023210 x 230 x 65cmSign in to view price
Details
MaterialGallery
plexiglass mirrors, glass mirrors, wood, alcohol pencil, ink on silk and velvet, embroideries on pages torn from telephone books, found handmade blanket, found carafe, oil painting, a drawing untitled "pleurer devant la télé" from 2022, plexiglass frameCrèvecoeur
Description
Human-crafted. AI-refined.

This contemporary art installation features a striking visual display of bold, vibrant colors and geometric shapes. The piece incorporates translucent panels and rectangular forms in shades of pink, purple, and orange, creating a captivating and immersive environment. The overall composition is visually striking, with the strategic placement and lighting of the various elements contributing to a harmonious and visually compelling aesthetic. While the subject matter is abstract, the artwork seems to explore themes of space, light, and perception, inviting the viewer to engage with the work on a deeper level. The artist's intention behind this piece likely reflects a desire to challenge conventional notions of art and to provide a transformative sensory experience for the audience. ...

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Anne Bourse
Artist
Anne Bourse
B.1982, French

Anne Bourse’s practice is underpinned by the lack of hierarchies, certainties and definitions. Her choice of medium is instinctive and spans painting, drawing, textile, sculpture and writing. Bourse says that “being unclear is important, " asking her audience to refrain from fully understanding and leaving space for ambiguity. Bourse’s eclectic, psychedelic colours, hanging fabrics and found objects form nuanced agglomerations of the artist’s thoughts, contextualised by emotion and intuition. She finds inspiration in all that surrounds herself, forming a functional community within her works. The brightness and subtleness of her practice present a chaos that avoids cohesion and ideology, thereby creating an unlimited space for emotional and interpretative potential. ...

Anne Bourse: Artworks
Around sex o’clock (2)
Anne Bourse
Around sex o’clock (2), 2024
90 x 140 x 50cm
Merci pour la nuit (4)
Anne Bourse
Merci pour la nuit (4), 2024
100 x 23cm
Stuck on earth (2)
Anne Bourse
Stuck on earth (2), 2021
25 x 23cm
Renaud's shoes
Anne Bourse
Renaud's shoes, 2021
26 x 35 x 3cm
Prisone
Anne Bourse
Prisone, 2022
130 x 70 x 10cm
Les yeux dans l'eau
Anne Bourse
Les yeux dans l'eau, 2021
45 x 32cm
Loisir : boire
Anne Bourse
Loisir : boire, 2016
28.7 x 22.4cm
Puissant faux malheur
Anne Bourse
Puissant faux malheur, 2021
46 x 31.5cm
Stuck on earth (2)
Anne Bourse
Stuck on earth (2), 2021
35 x 26 x 3cm
I think we're alone now
Anne Bourse
I think we're alone now, 2023
210 x 230 x 65cm
Stripes light (1)
Anne Bourse
Stripes light (1), 2023
102 x 22 x 22cm
Stripes light (2)
Anne Bourse
Stripes light (2), 2023
102 x 22 x 22cm
Stripes light (3)
Anne Bourse
Stripes light (3), 2023
118 x 22 x 22cm
untitled
Anne Bourse
untitled, 2023
23 x 27cm
Crèvecoeur
Gallery
Crèvecoeur
Paris, Paris

Crèvecœur, founded in 2009 by Axel Dibie (born 1981) and Alix Dionot-Morani (born 1979), located in the Belleville area (eastern Paris) has, since its creation, presented artists from France and the rest of the world whose different practices question current conditions for producing images and objects. The gallery sees itself as a body that supports its artists in the various stages of production, demonstration and dissemination of their practice. Through its work inside 3 gallery spaces — a 160 sq.m. space in Eastern Paris (20e) with natural light that can host ambitious exhibitions; and two spaces in the historic centre of Paris (7e) through the co-creation, since 2015, of a new alternative fair called Paris Internationale; through a publishing house called oe publishing books by represented and invited artists; and through support for production of the institutional shows of the represented artists, Crèvecœur is an entity which aims to adapt, in an organic way, to the challenging systems that contemporary artists experience today. ...

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