This contemporary installation piece features a striking visual contrast. The stark, minimalist white walls and clean lines create a serene, almost clinical backdrop, while the centerpiece is a large, jagged-edged leather object in deep, earthy tones. Crimson droplets scattered across the floor hint at a sense of violence or disruption, suggesting a narrative of conflict or the fragility of the human experience. The artist's style blends raw, primal materials with a highly conceptual approach, inviting the viewer to ponder the deeper symbolic meanings behind this unsettling yet thought-provoking work. ...
Julie Béna was born in 1982 in Paris, France, and currently lives and works between Prague and Paris.
The work of Julie Béna is made up of an eclectic set of references, combining contemporary and ancient literature, high and low art, humor and seriousness, parallel times and spaces. Comprising sculpture, installation, film, and performance, her work seems to often float in an infinite vacuum, unfolding against a fictional backdrop where everything is possible. Over the past years, Béna has developed a range of personal cosmologies in which she stages seemingly banal characters and objects that have enigmatic conversations and interactions with each other. From Pantopon Rose – a character taken from William S. Burroughs’ ‘Naked Lunch’ –, to Miss None and Mister Peanut – a disembodied floating wig and the iconic monocled anthropomorphic peanut –, Béna lends her characters a singular agency and voice, which defines them by what they are not. ...
