Brompton

Gina Fischli

Brompton, 201859 x 57cm5000 EUR
Details
MaterialGalleryLocation
glitter, glue, plywoodSoft OpeningLondon
Description
Human-crafted. AI-refined.

This abstract work features a bold and dynamic composition dominated by geometric shapes and contrasting colors. The prominent circular form represents a bicycle wheel, rendered in muted tones of gray and silver. Surrounding it are abstract shapes in green, black, and off-white, creating a sense of movement and energy. The artwork employs a playful, collage-like technique, blending geometric abstraction with recognizable elements from the everyday world of cycling. The dynamic interplay of form, color, and imagery suggests the artist's intention to explore the relationships between industrial design, motion, and the human experience. ...

Similar Artworks
Reap what you sow
Morag KeilReap what you sow, 20138000 GBP
34.044475879474845° N, -118.64673408513035 ° W
Olivia Erlanger34.044475879474845° N, -118.64673408513035 ° W, 202110000 USD
Deadstock
Tenant Of CultureDeadstock, 20185000 EUR
the marble fauna
Nevine Mahmoudthe marble fauna, 20219900 EUR
That's Why We Work to Make Life Better
Morag KeilThat's Why We Work to Make Life Better, 2016Price on Request
I'd rather stand
Olu OgunnaikeI'd rather stand, 2022Price on Request
Worlds Within Worlds (Forever Loving)
Tamara Van SanWorlds Within Worlds (Forever Loving) , 2016Price on Request
Champagne et Limousines
Sylvie FleuryChampagne et Limousines, 201042000 EUR
Strawmen 2
Kaspar MüllerStrawmen 2, 2024Price on Request
Hook No.20
Sidsel Meineche HansenHook No.20, 202413000 USD
Gina Fischli
Artist
Gina Fischli
1989 , Swiss

Gina Fischli’s practice is characterised by the playful employment of a multitude of different media, including glitter and denim, to explore notions of fantasy, food, materiality and consumption in contemporary society. Cleverly upending notions of scale, fake and real, Fischli sculpts castle-shaped cakes – complete with fondant-like turrets and windows – from polymer clay, as well as large portraits on plywood bejewelled with glitter that depict cocktail glasses and Diet Coke cans. Fischli’s castle cakes are often named after real British and German medieval or neo-Gothic castles, monumental and supposedly haunted buildings, humorously rendered by the artist in saccharine, sugar-frosted technicolour. Written by Goldsmiths CCA ...

Gina Fischli: Artworks
Albers (Summer)
Gina FischliAlbers (Summer), 20213000 EUR
Brompton
Gina FischliBrompton, 20185000 EUR
Capital House
Gina FischliCapital House, 20195500 EUR
Red Chair
Gina FischliRed Chair, 20208000 EUR
The Roberta
Gina FischliThe Roberta, 201930000 EUR
To be titled (Ashtray)
Gina FischliTo be titled (Ashtray), 20202000 USD
To be titled (Bird House)
Gina FischliTo be titled (Bird House), 20204000 USD
Can
Gina FischliCan, 20181700 USD
The Roberta
Gina FischliThe Roberta, 201938000 CHF
Albers (Greener)
Gina FischliAlbers (Greener), 20225000 CHF
Baby Albers (flirt)
Gina FischliBaby Albers (flirt), 20243300 USD
Soft Opening
Gallery
Soft Opening
London

Founded in 2018 by Antonia Marsh, Soft Opening presents UK-based and international emerging contemporary artists, and often their first solo presentations in London. Focusing on work pushing the conventional limits of medium or material, the gallery presents a wide range of media and practices. Soft Opening built its early program with projects that responded to the gallery’s unique first location in Piccadilly Circus Underground Station. Opening a second space in East London in 2019 saw programming strategy develop as Soft Opening began participating in international art fairs and representing artists. Programming is now focused at this East London space. In 2020 the gallery began publishing artist monographs - the first was with Tenant of Culture in 2020 followed by Gina Fischli in 2021 and Sin Wai Kin in 2022. ...