A dangerous man crouches, wishing he were not alone

Kira Freije

A dangerous man crouches, wishing he were not alone, 201949 x 55 x 62cm8000 GBP
Details
MaterialGalleryLocation
stainless steel, blown glassThe approachLondon
Description
Human-crafted. AI-refined.

This contemporary artwork features a playful and surreal installation composed of metal wire and tubing. The visual elements include organic, serpentine shapes that create a sense of movement and flow, contrasted with the geometric patterns and rigid structures. The subject matter appears to depict abstract, anthropomorphic forms, evoking a sense of whimsy and imagination. The artistic style and technique employ found materials and industrial components, creating a unique and inventive sculptural piece. The context suggests the artist's intention to challenge traditional notions of art and encourage the viewer to engage with the unexpected and unconventional. ...

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Kira Freije
Artist
Kira Freije
1985 , British

Consciously moving between structures of poetry and sculpture, Freije gathers pieces of scrap metal, discarded objects, or offcuts from her studio while simultaneously collecting words or loose phrases jotted down in her sketchbook. She fuses these two crafts together in her installations. Assemblages of steel figures, glass blown lamps, and ruinous forms are scattered through a space with poetic titles binding these concrete constellations through a narrative web. The focus on figure links her with sculptors such as Caroline Mesquita or Anthony Gormley, while the disheveled, decaying quality of Freije’s alloy bodies sets her apart. Like a theatre set frozen on stage or a historic moment halted by a spell, an unsettling sense of longing pulses through Freije’s tableaux. Cast metal figures kneel in penance with their heads in their hands, or brittle limbs reach out in ecstasy, their mouths crying out in silence. This drama is undeniably heightened through Freije’s dependency on medieval material processes such as metal casting, forging and glass blowing, which all leave textural scars on the surface of these pieces. The pairing of laboured forms with lyrical titles fuses the tension between tenderness and brutality, a common theme in Freije’s work. The theatricality and finite nature of these scenes speaks to the fragility of our current times in terms of the precarity of planetary and societal conditions, whilst still having space for rejoicing and communing. All is not lost in Freije’s world. ...

Kira Freije: Artworks
Cry, the canopy watching
Kira FreijeCry, the canopy watching, 20226000 GBP
vocabulary of ruin and the divine wound
Kira Freijevocabulary of ruin and the divine wound, 202320000 GBP
Temperant Observer
Kira FreijeTemperant Observer, 202314000 GBP
Grin Applause
Kira FreijeGrin Applause, 20235000 GBP
Sail Homeward
Kira FreijeSail Homeward, 20235000 GBP
Shroud
Kira FreijeShroud, 20235000 GBP
swan
Kira Freijeswan, 20235000 GBP
Unspeak the Chorus
Kira FreijeUnspeak the Chorus, 202320000 GBP
falling hours
Kira Freijefalling hours, 202316000 GBP
scorched earth
Kira Freijescorched earth, 202314000 GBP
winged remedy
Kira Freijewinged remedy, 202314000 GBP
bleached haze scrapes rooftops, rising morning
Kira Freijebleached haze scrapes rooftops, rising morning, 20228000 GBP
ripples congregate on the surface at dusk
Kira Freijeripples congregate on the surface at dusk, 20228000 GBP
Recognition of the world behind at nightfall
Kira FreijeRecognition of the world behind at nightfall, 202214000 GBP
fireworks
Kira Freijefireworks, 202220000 GBP
permanence of a sacred tongue
Kira Freijepermanence of a sacred tongue, 202214000 GBP
Autumn dusk
Kira FreijeAutumn dusk, 202210000 GBP
river by night
Kira Freijeriver by night, 202212000 GBP
forward forward dividing shadows
Kira Freijeforward forward dividing shadows, 202210000 GBP
the sudden sleep
Kira Freijethe sudden sleep, 202216000 GBP
Sighting
Kira FreijeSighting, 20216000 GBP
Moving towards the calm one, whose arms open, the breadth of happiness in measurable form
Kira FreijeMoving towards the calm one, whose arms open, the breadth of happiness in measurable form, 202114000 GBP
Weary travellers gather, in unison eyes scour the dusty ground
Kira FreijeWeary travellers gather, in unison eyes scour the dusty ground, 202110000 GBP
Submerged, despite some natural resistance, bobbing, and glug, glug, glug
Kira FreijeSubmerged, despite some natural resistance, bobbing, and glug, glug, glug, 20208000 GBP
Despite the Tides She Foiled the Waves and Came to be the Last
Kira FreijeDespite the Tides She Foiled the Waves and Came to be the Last, 201814000 GBP
A dangerous man crouches, wishing he were not alone
Kira FreijeA dangerous man crouches, wishing he were not alone, 20198000 GBP
Never did we Find the World
Kira FreijeNever did we Find the World, 20178000 GBP
Eclipse
Kira FreijeEclipse, 20248000 GBP
The approach
Gallery
The approach
London

The Approach is co-directed by Jake Miller and Emma Robertson. Located in Bethnal Green above The Approach Tavern, for over twenty years it has operated an internationally recognised programme from its East London base. The gallery is known for discovering artists and establishing their careers as well as making inter-generational curated group shows a strong focus. The list of represented artists includes the Estates of important overlooked female artists Heidi Bucher and Maria Pinińska Bereś, as well as seminal British collage artist John Stezaker, together with established and emerging artists including Magali Reus, Peter Davies, Lisa Oppenheim, Sandra Mujinga, Pam Evelyn, Sara Cwynar, Sam Windett and Caitlin Keogh. Over the years the gallery has operated parallel programmes in additional gallery spaces in London’s West End (The Approach W1) and in Shoreditch (The Reliance). The gallery is currently based solely in its original East End location and continues to expand its programme, showcasing its represented artists in the main gallery space, and both represented and non-represented artists in The Annexe, a smaller, more experimental space at the back of the building. ...