This abstract painting features a composition dominated by soft, muted tones of gray and pink, accented with bold splashes of yellow. The brushstrokes create a sense of movement and fluidity, blending together seamlessly. While the subject matter is not immediately recognizable, the artwork evokes a sense of energy and dynamism through its expressive use of color and technique. The artist likely aimed to capture a spontaneous, emotive quality in this contemporary work, inviting the viewer to interpret the piece through their own subjective lens. ...
Margaret Lee navigates the intersections of sculpture, painting, photography, and installation, exploring the tension between the everyday and the surreal. She frequently transforms ordinary objects—fruits, furniture, domestic items—into hyperrealistic plaster-cast sculptures, interrogating themes of desire, identity, and consumer culture. Through these works, Lee encourages viewers to reconsider their relationships with familiar objects, revealing the uncanny or poetic potential within the mundane. In recent years, Lee has increasingly turned to abstract painting, emphasizing introspection, emotion, and vulnerability. Influenced by psychoanalytic theory and creative methodologies such as Julia Cameron’s The Artist’s Way, her paintings embrace uncertainty, allowing intuition and process to guide form, color, and composition. This shift reflects a broader exploration of presence, absence, and the psychological landscapes that shape perception. Across the media, Lee’s work balances meticulous craftsmanship with conceptual inquiry, blending formal rigor with personal and poetic reflection. By combining material experimentation, transformation of everyday objects, and a deep engagement with emotional and psychological states, her practice creates immersive, thought-provoking experiences that invite contemplation and reinterpretation of the familiar. Her projects often oscillate between realism and abstraction, emphasizing the fluid boundary between external appearances and internal states, making her work both intimate and expansive. ...
