This abstract painting is a captivating exploration of darkness and light. The predominant use of deep black hues creates an intense, brooding atmosphere, while scattered brushstrokes of vibrant blue illuminate the canvas, adding a sense of mystique and dynamism. The overall composition is gestural and expressive, with a focus on the interplay of tones and textures rather than any figurative subject matter. The artist's bold, gestural approach suggests a strong emphasis on the emotional and intuitive aspects of the creative process, inviting the viewer to engage with the work on a deeply personal level. The work's enigmatic quality and the artist's intention to evoke a powerful emotional response reflect the ethos of the contemporary art movement. ...
Margaret Lee navigates the intersections of sculpture, painting, photography, and installation, exploring the tension between the everyday and the surreal. She frequently transforms ordinary objects—fruits, furniture, domestic items—into hyperrealistic plaster-cast sculptures, interrogating themes of desire, identity, and consumer culture. Through these works, Lee encourages viewers to reconsider their relationships with familiar objects, revealing the uncanny or poetic potential within the mundane. In recent years, Lee has increasingly turned to abstract painting, emphasizing introspection, emotion, and vulnerability. Influenced by psychoanalytic theory and creative methodologies such as Julia Cameron’s The Artist’s Way, her paintings embrace uncertainty, allowing intuition and process to guide form, color, and composition. This shift reflects a broader exploration of presence, absence, and the psychological landscapes that shape perception. Across the media, Lee’s work balances meticulous craftsmanship with conceptual inquiry, blending formal rigor with personal and poetic reflection. By combining material experimentation, transformation of everyday objects, and a deep engagement with emotional and psychological states, her practice creates immersive, thought-provoking experiences that invite contemplation and reinterpretation of the familiar. Her projects often oscillate between realism and abstraction, emphasizing the fluid boundary between external appearances and internal states, making her work both intimate and expansive. ...
