The Doomed Orgy

Mark Ryan Chariker

The Doomed Orgy, 201622.86 x 30.48cmSign in to view price
Details
Material
oil on paper
Description
Human-crafted. AI-refined.

This sepia-toned drawing depicts a group of nude figures gathered in a naturalistic, dreamlike setting. The composition features a variety of organic shapes and flowing, expressive lines that convey a sense of movement and energy. The figures appear to be engaged in some form of ritual or communal activity, with a sense of mystery and introspection surrounding the scene. The artist's use of chiaroscuro and gestural brushwork imbues the work with a sense of timelessness and contemplation, inviting the viewer to ponder the deeper symbolism and intentions behind this evocative portrayal of the human form in a primordial landscape. ...

Similar Artworks
Sleepwalker III
Cathleen Clarke
Sleepwalker III, 2025
38.1 x 27.9cm
The clock in the brick house kept ticking the time away, chipping off bits by bits. Tonight, but every night, time stands still. Raindrops hang static above the roof. The bell of the clock tower floats mid-swing. Orthos raises his muzzles in silent howls. The aromas of tangerines, mangoes, saffron, and cardamom suspend in space. (Map)
Cole Lu 呂咅彧
The clock in the brick house kept ticking the time away, chipping off bits by bits. Tonight, but every night, time stands still. Raindrops hang static above the roof. The bell of the clock tower floats mid-swing. Orthos raises his muzzles in silent howls. The aromas of tangerines, mangoes, saffron, and cardamom suspend in space. (Map), 2024
27.9 x 35.6cm
Untitled (sunset and trees)
Joani Tremblay
Untitled (sunset and trees), 2022
153.04 x 125.73cm
Doubling Acts 3
Maryam Hoseini
Doubling Acts 3, 2022
147.3 x 106.7 x 3.8cm
Untitled (Laurel Highlands)
Joani Tremblay
Untitled (Laurel Highlands), 2022
153.04 x 125.73cm
What spilled in the dream ran under the limestone cave. Bending over, he translated his nights and days; the eye of the cave is a needle for those who refuse to forget. (Amnesia)
Cole Lu 呂咅彧
What spilled in the dream ran under the limestone cave. Bending over, he translated his nights and days; the eye of the cave is a needle for those who refuse to forget. (Amnesia), 2024
76.2 x 101cm
Sleepwalker IV
Cathleen Clarke
Sleepwalker IV, 2025
38.1 x 27.9cm
Capture 4
Maryam Hoseini
Capture 4, 2021
137 x 91cm
Untitled (waterfall)
Joani Tremblay
Untitled (waterfall), 2022
121.92 x 101.6cm
A Private Parade
Cathleen Clarke
A Private Parade, 2023
50.8 x 40.6cm
The silence on the floor of my house
Joani Tremblay
The silence on the floor of my house, 2023
121.92 x 101.6cm
Marrim's Eye
Farah Al Qasimi
Marrim's Eye, 2023
127 x 84cm
Epoisses
Tim Brawner
Epoisses, 2023
61 x 50.8cm
Eventually, they fell into a restless sleep, slept and did not sleep, dreamt and did not dream. (First migration)
Cole Lu 呂咅彧
Eventually, they fell into a restless sleep, slept and did not sleep, dreamt and did not dream. (First migration), 2024
40.6 x 50.8 x 3.8cm
You and Me
Pauline Shaw
You and Me, 2019
225 x 325cm
Waterfall
Cathleen Clarke
Waterfall, 2025
50.8 x 40.6cm
Ungrounding #17
Ivana Bašić
Ungrounding #17, 2023
76.2 x 55.9cm
Untitled (naphthol red)
Joani Tremblay
Untitled (naphthol red), 2022
153.04 x 125.73cm
Pigeon in Flight
Farah Al Qasimi
Pigeon in Flight, 2025
77 x 54cm
Travel. Its ancient root tripalium is an instrument of discipline with three stakes. Some said it reflects a journey's extreme difficulty, and some move where the stakes rolls. Upon his arrival, the island is shard with glares, trees everywhere. (Gate)
Cole Lu 呂咅彧
Travel. Its ancient root tripalium is an instrument of discipline with three stakes. Some said it reflects a journey's extreme difficulty, and some move where the stakes rolls. Upon his arrival, the island is shard with glares, trees everywhere. (Gate), 2022
40.6 x 33 x 3.8cm
Blue Bird
Tim Brawner
Blue Bird, 2022
152.4 x 152.4cm
Swells, No. II
Maryam Hoseini
Swells, No. II, 2025
172.7 x 121.9 x 5.1cm
Mark Ryan Chariker
Artist
Mark Ryan Chariker
B.1984

Chariker’s work draws from the rich historical context of oil paintings, referencing the style of Dutch Old Masters and French rococo paintings while imbuing his figures with a contemporary relevance.

Mark Ryan Chariker: Artworks
Waterfall
Mark Ryan Chariker
Waterfall, 2019
27.94 x 35.56cm
Return of the Herd (After Pieter Bruegel the Elder)
Mark Ryan Chariker
Return of the Herd (After Pieter Bruegel the Elder), 2016
24.13 x 35.56cm
The Doomed Orgy
Mark Ryan Chariker
The Doomed Orgy, 2016
22.86 x 30.48cm
The Little Park (After Fragonard)
Mark Ryan Chariker
The Little Park (After Fragonard), 2016
21.59 x 27.94cm
The Horse Has Died
Mark Ryan Chariker
The Horse Has Died, 2016
15.24 x 24.13cm
Feast of Herod (After Mattia Preti)
Mark Ryan Chariker
Feast of Herod (After Mattia Preti), 2016
15.24 x 24.13cm
The Brawl
Mark Ryan Chariker
The Brawl, 2016
15.24 x 24.13cm
Portrait of Unknown Artist
Mark Ryan Chariker
Portrait of Unknown Artist, 2017
22.86 x 15.24cm
Unlock Price & Inquiry Access