Suchen 6
Details
MaterialGallery
Description
Human-crafted. AI-refined.

This abstract artwork features a composition of intricate, overlapping graphite lines that create an impression of a tangled, organic landscape. The lines vary in thickness and density, with some areas exhibiting a more concentrated and chaotic pattern, while others are more sparse and delicate. The overall effect is one of movement and energy, reflecting the artist's technique of spontaneous, gestural mark-making. The simplicity of the monochromatic palette and the focus on the essential elements of line and texture suggest a minimalist approach, inviting the viewer to contemplate the interplay of form, space, and perception. ...

Similar Artworks
Panel (hearth a / hearth b)
Philip Seibel
Panel (hearth a / hearth b), 2024
31 x 22 x 23cm
Untitled
Marcel Van Eeden
Untitled, 2019
160 x 245cm
Tisch (Krefft Harpsichord)
Philip Seibel
Tisch (Krefft Harpsichord), 2024
125 x 40 x 95cm
Ur-Geburt
Behrang Karimi
Ur-Geburt, 2022
30 x 45cm
UNIT 3D [Speick]
Looking down Babylon
Behrang Karimi
Looking down Babylon, 2022
24 x 30cm
J'irai te visiter
Sophie Bueno-Boutellier
J'irai te visiter, 2014
125 x 95cm
Fleur de Ballade
Behrang Karimi
Fleur de Ballade, 2022
45 x 65cm
Untitled
Venetian Blinds I
Michail Pirgelis
Venetian Blinds I, 2018
122 x 271 x 4cm
Gehäuse (Chevaux)
Philip Seibel
Gehäuse (Chevaux), 2023
36 x 100 x 18cm
Dat Grön_Fridericianum
Kaya (Kerstin Braetsch & Debo Eilers)
Dat Grön_Fridericianum, 2017
175 x 130cm
Denken, Denken, Denken
Behrang Karimi
Denken, Denken, Denken, 2012
30 x 36cm
February, March
Johanna Unzueta
February, March, 2019
90 x 90cm
Moi Relâchée
Monika Stricker
Moi Relâchée, 2025
50 x 40cm
Repaired Broken Mirror
Kader Attia
Repaired Broken Mirror, 2025
57 x 38.5cm
UNIT 3D [Pingi]
Gehäuse (And there was a feeling of warmth, of being accepted)
Philip Seibel
Gehäuse (And there was a feeling of warmth, of being accepted), 2024
100 x 36 x 18cm
Lagos still life II
Wolfgang Tillmans
Lagos still life II, 2022
30.5 x 40.6cm
Present Sound
Michail Pirgelis
Present Sound, 2021
193 x 214 x 40cm
Untitled (Paris, January )
Marcel Van Eeden
Untitled (Paris, January ), 2023
95 x 151cm
Martin Dammann
Artist
Martin Dammann
B.1965, German

Martin Dammann directs his attention towards the multifaceted and often contradictory relationships of pictures to that which they depict, and thus to that which they (the pictures) themselves are not. These relationships are particularly palpable when the contents of the pictures prove to be difficult, or even encumbered. The latter is the case, for example, with war photography, which has come to serve as an essential point of departure in Dammann's works. Dammann uses such photos in a large number of media, whether in his large-scale watercolours, drawings, or photographic works, as well as videos, frottages, and installations. In the process, the individual elements of these works - the manner of painting, the contents, format and title - are each emphasized, and their contradictions contrasted with one another, in such a way as to create a kind of balance in which no interpretation alone is any longer capable of uniting all of those elements. The concern is thus less with conveying a message to the viewer; instead, the viewer is empowered to observe and investigate their own reactions and interpretations of the subjects depicted.Apart from the structural interest, there is also an interest in what could be called the -contentuality- of the works in the narrower sense, in the actual subjects. Here, questions of history, identity, authenticity, value systems and clichés come into play. Every one of these categories is understood as part of the pictorial structure. The focus here is less on the presence of photography as a medium, however than on its inherent emotional or evocative possibilities, which themselves are placed at the viewer's disposal in their functionality. ...

Martin Dammann: Artworks
Warpig
Martin Dammann
Warpig, 2022
140.2 x 200.2cm
Dans le chaudron
Martin Dammann
Dans le chaudron, 2022
98 x 150cm
104° Fahrenheit
Martin Dammann
104° Fahrenheit, 2022
90.5 x 155cm
Un bon jour
Martin Dammann
Un bon jour, 2022
54.3 x 36cm
Lusk 1 (Wyoming)
Suchen 6
Suchen 5
Schlaglicht
Martin Dammann
Schlaglicht, 2016
145 x 100cm
Rêve éveillé
Martin Dammann
Rêve éveillé, 2022
140.5 x 200.5cm
In Situ – Fabienne Leclerc
Gallery
In Situ – Fabienne Leclerc
Romainville

Founded by Fabienne Leclerc in 2001, In Situ began in the 13th district of Paris alongside a group of galleries in rue Louise Weiss. After seven years in the 6th, the gallery moved to the Marais in November 2013, then to the Stalingrad district in January 2017. Since October 2019, In Situ - fabienne leclerc has moved into a new space in Romainville, accompanied by Air de Paris, gallery Jocelyn Wolff, gallery Sator the FRAC Ile-de-France as well as the Fiminco Foundation. The ambition of In Situ - fabienne leclerc is to promote young and emerging artists in France and internationally, and to support its established artists in the long term. The gallery strives to support and promote the work of its artists in the gallery, in associated museums and institutions, and to produce and edit artist catalogues and books. ...

Unlock Price & Inquiry Access