Un bon jour

Martin Dammann

Un bon jour, 202254.3 x 36cm6000 EUR
Details
MaterialGalleryLocation
watercolor, pencil and oil stick on paperIn Situ – Fabienne LeclercRomainville
Description
Human-crafted. AI-refined.

This abstract artwork showcases a vibrant and dynamic composition. The canvas is filled with a kaleidoscope of colors, including blues, greens, and yellows, which create a sense of energy and movement. The shapes are irregular and overlapping, evoking a dreamlike, surreal quality. The overall style appears to be a blend of expressionistic and abstract techniques, with visible brushstrokes and a spontaneous, gestural quality. The artwork seems to depict a dreamlike, fantastical scene, inviting the viewer to interpret the imagery and symbolism according to their own perception and imagination. The artistic approach and unconventional visual language suggest the artist's intention to challenge traditional notions of representation and explore the subconscious realm. ...

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Martin Dammann
Artist
Martin Dammann
1965 , German

Martin Dammann directs his attention towards the multifaceted and often contradictory relationships of pictures to that which they depict, and thus to that which they (the pictures) themselves are not. These relationships are particularly palpable when the contents of the pictures prove to be difficult, or even encumbered. The latter is the case, for example, with war photography, which has come to serve as an essential point of departure in Dammann's works. Dammann uses such photos in a large number of media, whether in his large-scale watercolours, drawings, or photographic works, as well as videos, frottages, and installations. In the process, the individual elements of these works - the manner of painting, the contents, format and title - are each emphasized, and their contradictions contrasted with one another, in such a way as to create a kind of balance in which no interpretation alone is any longer capable of uniting all of those elements. The concern is thus less with conveying a message to the viewer; instead, the viewer is empowered to observe and investigate their own reactions and interpretations of the subjects depicted.Apart from the structural interest, there is also an interest in what could be called the -contentuality- of the works in the narrower sense, in the actual subjects. Here, questions of history, identity, authenticity, value systems and clichés come into play. Every one of these categories is understood as part of the pictorial structure. The focus here is less on the presence of photography as a medium, however than on its inherent emotional or evocative possibilities, which themselves are placed at the viewer's disposal in their functionality. ...

Martin Dammann: Artworks
Warpig
Martin DammannWarpig, 202223000 EUR
Dans le chaudron
Martin DammannDans le chaudron, 202217000 EUR
104° Fahrenheit
Martin Dammann104° Fahrenheit, 202217000 EUR
Un bon jour
Martin DammannUn bon jour, 20226000 EUR
Lusk 1 (Wyoming)
Martin DammannLusk 1 (Wyoming), 202275000 EUR
Suchen 6
Martin DammannSuchen 6, 20184500 EUR
Suchen 5
Martin DammannSuchen 5, 20184500 EUR
Schlaglicht
Martin DammannSchlaglicht, 201619000 EUR
Rêve éveillé
Martin DammannRêve éveillé, 202223000 EUR
In Situ – Fabienne Leclerc
Gallery
In Situ – Fabienne Leclerc
Romainville

Founded by Fabienne Leclerc in 2001, In Situ began in the 13th district of Paris alongside a group of galleries in rue Louise Weiss. After seven years in the 6th, the gallery moved to the Marais in November 2013, then to the Stalingrad district in January 2017. Since October 2019, In Situ - fabienne leclerc has moved into a new space in Romainville, accompanied by Air de Paris, gallery Jocelyn Wolff, gallery Sator the FRAC Ile-de-France as well as the Fiminco Foundation. The ambition of In Situ - fabienne leclerc is to promote young and emerging artists in France and internationally, and to support its established artists in the long term. The gallery strives to support and promote the work of its artists in the gallery, in associated museums and institutions, and to produce and edit artist catalogues and books. ...