Lusk 1 (Wyoming)
Details
MaterialGallery
watercolor, pencil and oil stick on paperIn Situ – Fabienne Leclerc
Description
Human-crafted. AI-refined.

This vibrant abstract canvas is composed of a dynamic interplay of colors and shapes. The artist has employed a bold, expressive brushwork, resulting in a captivating composition that evokes a sense of movement and energy. The piece features amorphous forms in a range of hues, from vivid blues and greens to warm reds and oranges, creating a visually striking visual experience. The overall effect is one of spontaneity and a celebration of the artistic process. This work exemplifies the artist's innovative approach to abstract expressionism, inviting the viewer to engage with the painting's striking visual language. ...

Similar Artworks
February, May Berlin
Gehäuse (Sommerbericht)
Borneo
Sophie Bueno-BoutellierBorneo, 2013
180 x 125cm
Black and Grey Chain
Paris Gum 2
Marcel Van EedenParis Gum 2, 2023
42.5 x 60 x 3cm
February, March
Castellar
Sophie Bueno-BoutellierCastellar, 2013
180 x 125cm
Gehäuse (Kreuzgang)
Fleur de Ballade
Adaptable Chain
Half turn
Monika StrickerHalf turn, 2023
90 x 64cm
Gehäuse (Chevaux)
Untitled
Marcel Van EedenUntitled, 2019
35 x 28cm
UNIT 3D [Pingi]
Kaya (Kerstin Braetsch & Debo Eilers)UNIT 3D [Pingi], 2017
140 x 86 x 23cm
February, March
Dummkoh_Bodybag
Kaya (Kerstin Braetsch & Debo Eilers)Dummkoh_Bodybag, 2017
175 x 130cm
Venetian Blinds I
Michail PirgelisVenetian Blinds I, 2018
122 x 271 x 4cm
Gears
Johanna UnzuetaGears, 2012
44 x 9cm
Reenactment II
May, August Berlin
Gehäuse (Shutter)
Untitled
Marcel Van EedenUntitled, 2019
160 x 245cm
Dark Blue Hinge
Johanna UnzuetaDark Blue Hinge, 2022
115 x 43 x 0.5cm
Dat Grön_Fridericianum
Kaya (Kerstin Braetsch & Debo Eilers)Dat Grön_Fridericianum, 2017
175 x 130cm
Radiator (Sommer)
Lagos still life II
UNIT 3D [Speick]
Kaya (Kerstin Braetsch & Debo Eilers)UNIT 3D [Speick], 2017
140 x 86 x 23cm
Ur-Geburt
Present Sound
Michail PirgelisPresent Sound, 2021
193 x 214 x 40cm
Paris Gum 6
Marcel Van EedenParis Gum 6, 2023
42.5 x 60 x 3cm
Moi Relâchée
Martin Dammann
Artist
Martin Dammann
B.1965, German

Martin Dammann directs his attention towards the multifaceted and often contradictory relationships of pictures to that which they depict, and thus to that which they (the pictures) themselves are not. These relationships are particularly palpable when the contents of the pictures prove to be difficult, or even encumbered. The latter is the case, for example, with war photography, which has come to serve as an essential point of departure in Dammann's works. Dammann uses such photos in a large number of media, whether in his large-scale watercolours, drawings, or photographic works, as well as videos, frottages, and installations. In the process, the individual elements of these works - the manner of painting, the contents, format and title - are each emphasized, and their contradictions contrasted with one another, in such a way as to create a kind of balance in which no interpretation alone is any longer capable of uniting all of those elements. The concern is thus less with conveying a message to the viewer; instead, the viewer is empowered to observe and investigate their own reactions and interpretations of the subjects depicted.Apart from the structural interest, there is also an interest in what could be called the -contentuality- of the works in the narrower sense, in the actual subjects. Here, questions of history, identity, authenticity, value systems and clichés come into play. Every one of these categories is understood as part of the pictorial structure. The focus here is less on the presence of photography as a medium, however than on its inherent emotional or evocative possibilities, which themselves are placed at the viewer's disposal in their functionality. ...

Martin Dammann: Artworks
Warpig
Martin DammannWarpig, 2022
140.2 x 200.2cm
Dans le chaudron
104° Fahrenheit
Un bon jour
Suchen 6
Suchen 5
Schlaglicht
Rêve éveillé
Martin DammannRêve éveillé, 2022
140.5 x 200.5cm
In Situ – Fabienne Leclerc

Founded by Fabienne Leclerc in 2001, In Situ began in the 13th district of Paris alongside a group of galleries in rue Louise Weiss. After seven years in the 6th, the gallery moved to the Marais in November 2013, then to the Stalingrad district in January 2017. Since October 2019, In Situ - fabienne leclerc has moved into a new space in Romainville, accompanied by Air de Paris, gallery Jocelyn Wolff, gallery Sator the FRAC Ile-de-France as well as the Fiminco Foundation. The ambition of In Situ - fabienne leclerc is to promote young and emerging artists in France and internationally, and to support its established artists in the long term. The gallery strives to support and promote the work of its artists in the gallery, in associated museums and institutions, and to produce and edit artist catalogues and books. ...

Unlock Price & Inquiry Access