This minimalist artwork features a large, vibrant red circle with a small white square positioned within it, creating a striking visual contrast. The composition is simple yet compelling, drawing the viewer's attention to the interplay of the bold, geometric shapes. The artist employs a reductive style, highlighting the power of color and form to convey a sense of balance and tension. This work reflects the principles of Minimalist art, which aimed to distill visual elements to their most essential qualities. The clean, pared-down aesthetic may suggest themes of harmony, simplicity, and the exploration of perceptual experience. ...
During the war Milan Grygar studied at the School of Trades in Brno, in the years 1945 - 1950 University of Applied Arts in Prague with Professor Emil Filla.
His first solo exhibition in Prague, was devoted to abstract painting. For about half a century, starting in the mid-1960s, Milan Grygar has developed a body of work whose premise is the inseparable character of two senses occidental art has often seen as distinct: sight and hearing. His works have an essential connection with sound: they record its transpiring in visual form, or constitute a more or less detailed score through which to produce it. In later years he devoted himself to so-called acoustic drawings (each image was inextricably linked to music) almost simultaneously he also introduced a new artistic current in Czechoslovakia, which was tactile painting. ...
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