Aguila en el jardín de Amado
Aguila en el jardín de Amado
Aguila en el jardín de Amado
Aguila en el jardín de Amado

Nohemí Pérez

Aguila en el jardín de Amado, 2024215 x 250cmSign in to view price
Details
MaterialGallery
charcoal and embroidery on canvasInstituto de Visión
Description
Human-crafted. AI-refined.

This minimalist artwork features the word "DOCENT" prominently displayed against a plain white background. The all-capital lettering is rendered in a clean, monochromatic style, emphasizing the stark contrast between the text and the negative space. The composition is simple yet impactful, drawing the viewer's attention to the single word, which could be interpreted as a commentary on the role of the docent or guide in the context of art and museum experiences. The artist's intention may be to reflect on the importance of interpretation and mediation in the appreciation of contemporary art. ...

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Artist
Nohemí Pérez
B.1964, Colombian

The multidisciplinary practice of Nohemí Pérez, revolves around the relationship between men and nature; the conflicts, tensions and genesis that arise from this constant friction. Based on the notions of architecture, cinema and sociology, the artist proposes a rereading of the Catatumbo territory; a geographical region in the border between Colombia and Venezuela with a very particular natural and sociocultural ecosystem. From the conquest until today, Catatumbo is the scene of multiple conflicts that have been transformed to compose a complex plot of anachronistic situations characteristic of Latin American contemporaneity. Illegal armed groups of right, left, native tribes, evangelical missionaries and large multinationals of mining and drug trafficking coexist in this jungle region. Very often, Pérez uses charcoal in her work as a reference to mining; coal itself is also a recurring element, with which she aims to make visible the exploitation of natural resources and at the same time the violence that this triggers. From the territory of her memory and her affections, Nohemí Pérez reconstructs the history of her origin and thus, collects the voices of those who live and have lived the Catatumbo from the close emotional ties of their experience. A particular interest in Nohemí’s work is to draw new symbolic and geographical maps that correspond to the various realities of the Catatumbo to allow it to appear on the scene of reconstruction and peace. ...

Nohemí Pérez: Artworks
Panorama Catatumbo
Nohemí Pérez
Panorama Catatumbo, 2012
180 x 480cm
La Batea
Nohemí Pérez
La Batea, 2021
210 x 134cm
Bosque No. 2
Nohemí Pérez
Bosque No. 2, 2021
500 x 216cm
Bosque No. 4
Nohemí Pérez
Bosque No. 4, 2021
452 x 216cm
Bertania
Nohemí Pérez
Bertania, 2020
66 x 100cm
Panorama Catatumbo (5)
Nohemí Pérez
Panorama Catatumbo (5), 2018
180 x 500cm
Panorama Catatumbo (7)
Nohemí Pérez
Panorama Catatumbo (7), 2018
180 x 500cm
Expulsados del paraíso
Nohemí Pérez
Expulsados del paraíso, 2019
28 x 38cm
Manuel
Sin noticias de Dios #2
Nohemí Pérez
Sin noticias de Dios #2, 2004
170 x 150cm
Sin noticias de Dios #5
Nohemí Pérez
Sin noticias de Dios #5, 2004
57 x 45cm
La Gabarra
Nohemí Pérez
La Gabarra, 2023
190 x 500cm
La que camina
Nohemí Pérez
La que camina, 2023
220 x 150cm
Los sueños de María
Nohemí Pérez
Los sueños de María, 2024
220 x 150cm
Darién
Nohemí Pérez
Darién, 2024
220 x 300cm
Polinizadores dormidos #2
Nohemí Pérez
Polinizadores dormidos #2, 2023
20 x 30 x 3cm
Polinizadores dormidos #3
Nohemí Pérez
Polinizadores dormidos #3, 2023
20 x 30 x 3cm
Polinizadores dormidos #6
Nohemí Pérez
Polinizadores dormidos #6, 2023
20 x 30 x 3cm
Apuntes para Darién No. 9
Nohemí Pérez
Apuntes para Darién No. 9, 2023
50 x 35 x 4.5cm
Apuntes para Darién No. 10
Nohemí Pérez
Apuntes para Darién No. 10, 2023
50 x 35 x 4.5cm
Apuntes para Darién No. 2
Nohemí Pérez
Apuntes para Darién No. 2, 2023
50 x 35 x 4.5cm
Apuntes para Darién No. 7
Nohemí Pérez
Apuntes para Darién No. 7, 2023
50 x 35 x 4.5cm
Apuntes para Darién No. 5
Nohemí Pérez
Apuntes para Darién No. 5, 2023
50 x 35 x 4.5cm
Apuntes para Darién No. 8
Nohemí Pérez
Apuntes para Darién No. 8, 2023
50 x 35 x 4.5cm
Apuntes para Darien No. 6
Nohemí Pérez
Apuntes para Darien No. 6, 2023
50 x 35 x 4.5cm
Apuntes para Darién No. 4
Nohemí Pérez
Apuntes para Darién No. 4, 2023
50 x 35 x 4.5cm
Apuntes para Darién No. 3
Nohemí Pérez
Apuntes para Darién No. 3, 2023
50 x 35 x 4.5cm
Apuntes para Darién No. 1
Nohemí Pérez
Apuntes para Darién No. 1, 2023
50 x 35 x 4.5cm
El jardín de la señora Pava
Nohemí Pérez
El jardín de la señora Pava, 2024
220 x 225cm
Apuntes para La Gabarra II
Nohemí Pérez
Apuntes para La Gabarra II, 2023
200 x 160cm
Aguila en el jardín de Amado
Nohemí Pérez
Aguila en el jardín de Amado, 2024
215 x 250cm
Visita del oso en el jardín de Amado
Nohemí Pérez
Visita del oso en el jardín de Amado, 2024
215 x 250cm
De la serie Darién: Los Caminos de José
Nohemí Pérez
De la serie Darién: Los Caminos de José, 2024
218 x 150cm
De la serie Darién: Los sueños de Eloisa
Nohemí Pérez
De la serie Darién: Los sueños de Eloisa, 2024
218 x 230cm
El lagarto está triste
Nohemí Pérez
El lagarto está triste, 2022
215 x 150cm
Nuevas Flores para Rousseau I
Nohemí Pérez
Nuevas Flores para Rousseau I, 2025
190 x 167cm
Nuevas Flores para Rousseau II
Nohemí Pérez
Nuevas Flores para Rousseau II, 2025
190 x 167cm
Nuevas Flores para Rousseau II
Nohemí Pérez
Nuevas Flores para Rousseau II, 2025
190 x 167cm
Instituto de Visión
Gallery
Instituto de Visión
Bogotá, New York City

Instituto de Vision is a Bogotá and New York based gallery for conceptual practices. Their mission is to investigate conceptual discourses that have been neglected by the official Latin American art canon. They have recovered important estates from the Latin American art of the mid century and continue to research the most enigmatic oeuvres of the region. Through a parallel program, they represent some of the most relevant contemporary practices from Colombia, Chile, North America, Venezuela, and others. Directed by three women, Instituto de Vision gives special attention to female voices, queer theories, environmental activism, the conflicts of migration, and other critical positions that challenge the established order. Using the international art scene as a platform, they are committed to give visibility and expand the work of artists that reveal critical realities and raise important questions for these contemporary subjects. ...

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