Polinizadores dormidos #2

Nohemí Pérez

Polinizadores dormidos #2, 202320 x 30 x 3cmSign in to view price
Details
MaterialGallery
Description
Human-crafted. AI-refined.

This evocative painting features a striking contrast between the vibrant colors and the dark, stormy backdrop. The central subject is a bird, rendered with bold, expressive brushstrokes that capture its feathers and form in a dynamic, almost abstract manner. The composition is dramatic, with the bird's movement and the turbulent sky creating a sense of energy and tension. The artist's distinctive style, marked by a bold, gestural approach, imbues the work with a sense of raw, emotive power. This painting likely reflects the artist's attempt to explore the raw, primal aspects of the natural world and the human experience. ...

Similar Artworks
Touch
Susan Hefuna
Touch, 2013
151 x 120cm
Intersection
Serie periféricas #6 (A
Beltrán Obregón
Serie periféricas #6 (A, 2019
43 x 56cm
Still Life With Eggs
Farah Atassi
Still Life With Eggs, 2020
146.05 x 114.3cm
Fine China
Lizbeth Mitty
Fine China, 2022
182.88 x 152.4cm
Anta Omri
Hope
Julia Wachtel
Hope, 2015
152.4 x 330.2cm
Trans Late
Susan Hefuna
Trans Late, 2015
23 x 30.7cm
Woman in Profile
Farah Atassi
Woman in Profile, 2020
185.42 x 139.7cm
Still Life with Accordion
Farah Atassi
Still Life with Accordion, 2018
146.05 x 114.3cm
Wilted
Julia Wachtel
Wilted, 2018
114.3 x 162.6cm
Sin Titulo. Serie Periféricas #7
Beltrán Obregón
Sin Titulo. Serie Periféricas #7, 2020
53 x 45cm
Patience is Beauty Full
Susan Hefuna
Patience is Beauty Full, 2010
170 x 170cm
Cityscape Istanbul
Susan Hefuna
Cityscape Istanbul, 2011
30 x 42cm
Mountain Nocturne
Lizbeth Mitty
Mountain Nocturne, 2022
152.4 x 152.4cm
Etna, the Enlightened Granddaughter (light blue yellow)
Pipilotti Rist
Etna, the Enlightened Granddaughter (light blue yellow), 2022
83 x 42.5 x 34cm
Estela (Alizarin)
Beltrán Obregón
Estela (Alizarin), 2003
188 x 159cm
Model on Stage
Farah Atassi
Model on Stage, 2021
200.66 x 160.02cm
Periférica Ocre Oscuro
Beltrán Obregón
Periférica Ocre Oscuro, 2021
49 x 56cm
Dappled #2
Lizbeth Mitty
Dappled #2, 2021
121.92 x 106.68cm
Patience is beautiful ever
Susan Hefuna
Patience is beautiful ever, 2010
205 x 240cm
The Bather
Farah Atassi
The Bather, 2018
184.78 x 139.7cm
Seed
Julia Wachtel
Seed, 2018
152.4 x 332.7cm
Country Reading
Lizbeth Mitty
Country Reading, 2022
152.4 x 152.4cm
Untitled #23 [hoop]
Julia Wachtel
Untitled #23 [hoop], 2022
55.9 x 55.9cm
Iris, the Enlightened Granddaughter (light blue yellow)
Pipilotti Rist
Iris, the Enlightened Granddaughter (light blue yellow), 2022
72 x 42 x 30cm
Pintura calibradora 3
Beltrán Obregón
Pintura calibradora 3, 2009
97 x 50cm
I'll Give You a Fern Flower
Maria Pinińska-Bereś
I'll Give You a Fern Flower, 1988
170 x 105 x 48cm
Video is a Hole 錄像肚臍
Ellen Pau 鮑譪倫
Video is a Hole 錄像肚臍, 1990
Mechanical Cabaret
Farah Atassi
Mechanical Cabaret, 2023
250 x 180cm
Film (Basel Social Club)
Margaret Honda
Film (Basel Social Club), 2023
Red Thought
Susan Hefuna
Red Thought, 2014
30 x 23cm
Nuevas Flores para Rousseau I
Artist
Nohemí Pérez
B.1964, Colombian

The multidisciplinary practice of Nohemí Pérez, revolves around the relationship between men and nature; the conflicts, tensions and genesis that arise from this constant friction. Based on the notions of architecture, cinema and sociology, the artist proposes a rereading of the Catatumbo territory; a geographical region in the border between Colombia and Venezuela with a very particular natural and sociocultural ecosystem. From the conquest until today, Catatumbo is the scene of multiple conflicts that have been transformed to compose a complex plot of anachronistic situations characteristic of Latin American contemporaneity. Illegal armed groups of right, left, native tribes, evangelical missionaries and large multinationals of mining and drug trafficking coexist in this jungle region. Very often, Pérez uses charcoal in her work as a reference to mining; coal itself is also a recurring element, with which she aims to make visible the exploitation of natural resources and at the same time the violence that this triggers. From the territory of her memory and her affections, Nohemí Pérez reconstructs the history of her origin and thus, collects the voices of those who live and have lived the Catatumbo from the close emotional ties of their experience. A particular interest in Nohemí’s work is to draw new symbolic and geographical maps that correspond to the various realities of the Catatumbo to allow it to appear on the scene of reconstruction and peace. ...

Nohemí Pérez: Artworks
Panorama Catatumbo
Nohemí Pérez
Panorama Catatumbo, 2012
180 x 480cm
La Batea
Nohemí Pérez
La Batea, 2021
210 x 134cm
Bosque No. 2
Nohemí Pérez
Bosque No. 2, 2021
500 x 216cm
Bosque No. 4
Nohemí Pérez
Bosque No. 4, 2021
452 x 216cm
Bertania
Nohemí Pérez
Bertania, 2020
66 x 100cm
Panorama Catatumbo (5)
Nohemí Pérez
Panorama Catatumbo (5), 2018
180 x 500cm
Panorama Catatumbo (7)
Nohemí Pérez
Panorama Catatumbo (7), 2018
180 x 500cm
Expulsados del paraíso
Nohemí Pérez
Expulsados del paraíso, 2019
28 x 38cm
Manuel
Sin noticias de Dios #2
Nohemí Pérez
Sin noticias de Dios #2, 2004
170 x 150cm
Sin noticias de Dios #5
Nohemí Pérez
Sin noticias de Dios #5, 2004
57 x 45cm
La Gabarra
Nohemí Pérez
La Gabarra, 2023
190 x 500cm
La que camina
Nohemí Pérez
La que camina, 2023
220 x 150cm
Los sueños de María
Nohemí Pérez
Los sueños de María, 2024
220 x 150cm
Darién
Nohemí Pérez
Darién, 2024
220 x 300cm
Polinizadores dormidos #2
Nohemí Pérez
Polinizadores dormidos #2, 2023
20 x 30 x 3cm
Polinizadores dormidos #3
Nohemí Pérez
Polinizadores dormidos #3, 2023
20 x 30 x 3cm
Polinizadores dormidos #6
Nohemí Pérez
Polinizadores dormidos #6, 2023
20 x 30 x 3cm
Apuntes para Darién No. 9
Nohemí Pérez
Apuntes para Darién No. 9, 2023
50 x 35 x 4.5cm
Apuntes para Darién No. 10
Nohemí Pérez
Apuntes para Darién No. 10, 2023
50 x 35 x 4.5cm
Apuntes para Darién No. 2
Nohemí Pérez
Apuntes para Darién No. 2, 2023
50 x 35 x 4.5cm
Apuntes para Darién No. 7
Nohemí Pérez
Apuntes para Darién No. 7, 2023
50 x 35 x 4.5cm
Apuntes para Darién No. 5
Nohemí Pérez
Apuntes para Darién No. 5, 2023
50 x 35 x 4.5cm
Apuntes para Darién No. 8
Nohemí Pérez
Apuntes para Darién No. 8, 2023
50 x 35 x 4.5cm
Apuntes para Darien No. 6
Nohemí Pérez
Apuntes para Darien No. 6, 2023
50 x 35 x 4.5cm
Apuntes para Darién No. 4
Nohemí Pérez
Apuntes para Darién No. 4, 2023
50 x 35 x 4.5cm
Apuntes para Darién No. 3
Nohemí Pérez
Apuntes para Darién No. 3, 2023
50 x 35 x 4.5cm
Apuntes para Darién No. 1
Nohemí Pérez
Apuntes para Darién No. 1, 2023
50 x 35 x 4.5cm
El jardín de la señora Pava
Nohemí Pérez
El jardín de la señora Pava, 2024
220 x 225cm
Apuntes para La Gabarra II
Nohemí Pérez
Apuntes para La Gabarra II, 2023
200 x 160cm
Aguila en el jardín de Amado
Nohemí Pérez
Aguila en el jardín de Amado, 2024
215 x 250cm
Visita del oso en el jardín de Amado
Nohemí Pérez
Visita del oso en el jardín de Amado, 2024
215 x 250cm
De la serie Darién: Los Caminos de José
Nohemí Pérez
De la serie Darién: Los Caminos de José, 2024
218 x 150cm
De la serie Darién: Los sueños de Eloisa
Nohemí Pérez
De la serie Darién: Los sueños de Eloisa, 2024
218 x 230cm
El lagarto está triste
Nohemí Pérez
El lagarto está triste, 2022
215 x 150cm
Nuevas Flores para Rousseau I
Nohemí Pérez
Nuevas Flores para Rousseau I, 2025
190 x 167cm
Nuevas Flores para Rousseau II
Nohemí Pérez
Nuevas Flores para Rousseau II, 2025
190 x 167cm
Nuevas Flores para Rousseau II
Nohemí Pérez
Nuevas Flores para Rousseau II, 2025
190 x 167cm
Instituto de Visión
Gallery
Instituto de Visión
Bogotá, New York City

Instituto de Vision is a Bogotá and New York based gallery for conceptual practices. Their mission is to investigate conceptual discourses that have been neglected by the official Latin American art canon. They have recovered important estates from the Latin American art of the mid century and continue to research the most enigmatic oeuvres of the region. Through a parallel program, they represent some of the most relevant contemporary practices from Colombia, Chile, North America, Venezuela, and others. Directed by three women, Instituto de Vision gives special attention to female voices, queer theories, environmental activism, the conflicts of migration, and other critical positions that challenge the established order. Using the international art scene as a platform, they are committed to give visibility and expand the work of artists that reveal critical realities and raise important questions for these contemporary subjects. ...

Unlock Price & Inquiry Access