Doméstico II

Oscar Muñoz

Doméstico II, 2018360 x 40 x 35cmPrice on Request
Details
MaterialGallery
white marble mor charpentier
Description
Human-crafted. AI-refined.

This minimalist artwork features a simple display of white cardboard boxes and containers arranged on a long, floating shelf. The overall composition emphasizes the clean lines, uniform shapes, and subtle tonal variations of the monochromatic elements. The repetitive yet asymmetrical arrangement creates a sense of visual rhythm and invites the viewer to contemplate the relationship between the seemingly mundane objects. The artist's intention behind this piece likely explores themes of consumerism, mass production, and the aesthetics of the everyday through a reduced, conceptual approach. ...

Similar Artworks
altich
Miriam Cahnaltich, 2020Price on Request
Self portrait
Alexis HunterSelf portrait, 1977Price on Request
Untitled
Arturo HerreraUntitled, 2020Price on Request
D'après La Bataille d'Alger (1966) de Gillo Pontecorvo
Zineb SediraD'après La Bataille d'Alger (1966) de Gillo Pontecorvo, 202115000 EUR
Spiral Nebula (Large)
Kiki SmithSpiral Nebula (Large), 2017Price on Request
For The Otherwise Unaccounted (A)
Lawrence Abu HamdanFor The Otherwise Unaccounted (A), 202011718 USD
Doce crónicas
Teresa MargollesDoce crónicas, 2022Price on Request
Sisterhood brotherhood
Thomas HirschhornSisterhood brotherhood, 201515000 EUR
#41
Huda Lutfi#41, 2018Price on Request
liebenmussen
Miriam Cahnliebenmussen, 2018Price on Request
The models Revenge I
Alexis HunterThe models Revenge I, 1974Price on Request
Untitled
Arturo HerreraUntitled, 2020Price on Request
Oscar Muñoz
Artist
Oscar Muñoz
B.1951, Colombian

Oscar Muñoz graduated from the Escuela de Bellas Artes in 1971, and has developed his career through a prolific investigation of post-modern methods of representation, using non-conventional photographic and mechanical printing techniques and video. He created a singular imagery and historiography by using transient mediums such as human breath, water, dust and fire, focusing on the precarious reality of human life.

Oscar Muñoz: Artworks
Biografias, Niña
Oscar MuñozBiografias, Niña, 2002Price on Request
Editor Solitario 1
Oscar MuñozEditor Solitario 1, 2011Price on Request
6 Intentos (Biografías)
Oscar Muñoz6 Intentos (Biografías), 2001Price on Request
Intentos 1 y 2
Oscar MuñozIntentos 1 y 2, 2004Price on Request
Método Ludovico
Oscar MuñozMétodo Ludovico, 2018Price on Request
Re/trato
Oscar MuñozRe/trato, 2008Price on Request
Haber estado allí
Oscar MuñozHaber estado allí, 2011Price on Request
Lacrimarios
Oscar MuñozLacrimarios, 2000Price on Request
Doméstico II
Oscar MuñozDoméstico II, 2018Price on Request
6 Intentos (Biografías)
Oscar Muñoz6 Intentos (Biografías), 2002Price on Request
Línea del destino
Oscar MuñozLínea del destino, nullPrice on Request
mor charpentier
Gallery
mor charpentier
Paris, Bogotá

Established in Paris since 2010, mor charpentier represents both emerging and well-established artists whose conceptual practices are anchored in social realities, history and the politics of contrasting geographic regions. By promoting international practices, the gallery aims to broaden the knowledge of crucial debates of the present. A significant inaugural show with Colombian master, Oscar Muñoz, fulfilled a void in the French artistic scene by broadening the spectrum of origins, subjects and identities in the art market. Ever since, a growing number of major international artists have joined the gallery. Coming from different generations and global backgrounds, they all share a commitment to either political, feminist, post-colonial, queer or human rights causes. Amongst them are Lawrence Abu Hamdan, Teresa Margolles, Chen Ching-Yuan, Liliana Porter, Bouchra Khalili, Carlos Motta, Hajra Waheed, and more. Equal gender representation and diversity is also part of the gallery goals, with half of the represented artists being women. In 2021 mor charpentier opened a second exhibition space in Bogotá. This expansion was driven to expand the reach of the gallery program to new publics and encourage artists to explore new territories. It consolidated a long-term bond with the Latin American art scene and the international projection of the gallery. ...