The artwork features a minimalist black table with a grid of white squares illuminated on its surface, creating a striking contrast against the dark background. The geometric composition and use of negative space emphasize the simplicity and elegance of the design. This piece likely explores themes of technology, information, and the interplay between light and dark. The artist's intention may be to evoke a sense of intrigue and contemplation within the viewer, encouraging them to ponder the meaning behind the illuminated grid. ...
Oscar Muñoz graduated from the Escuela de Bellas Artes in 1971, and has developed his career through a prolific investigation of post-modern methods of representation, using non-conventional photographic and mechanical printing techniques and video. He created a singular imagery and historiography by using transient mediums such as human breath, water, dust and fire, focusing on the precarious reality of human life.
Established in Paris since 2010, mor charpentier represents both emerging and well-established artists whose conceptual practices are anchored in social realities, history and the politics of contrasting geographic regions. By promoting international practices, the gallery aims to broaden the knowledge of crucial debates of the present. A significant inaugural show with Colombian master, Oscar Muñoz, fulfilled a void in the French artistic scene by broadening the spectrum of origins, subjects and identities in the art market. Ever since, a growing number of major international artists have joined the gallery. Coming from different generations and global backgrounds, they all share a commitment to either political, feminist, post-colonial, queer or human rights causes. Amongst them are Lawrence Abu Hamdan, Teresa Margolles, Chen Ching-Yuan, Liliana Porter, Bouchra Khalili, Carlos Motta, Hajra Waheed, and more. Equal gender representation and diversity is also part of the gallery goals, with half of the represented artists being women. In 2021 mor charpentier opened a second exhibition space in Bogotá. This expansion was driven to expand the reach of the gallery program to new publics and encourage artists to explore new territories. It consolidated a long-term bond with the Latin American art scene and the international projection of the gallery. ...
