Pedro França

É verdade que vimos coisas terríveis I, 2021120 x 110cmPrice on Request

Details

MaterialGalleryLocation

oil on linenMartins&MonteroBrussels

Description

Human-crafted. AI-refined.

The canvas depicts a vibrant, surreal scene filled with vivid colors and dynamic compositions. The central figure, a nude male, stands prominently amidst a chaotic array of abstract shapes and silhouettes. The overall palette is dominated by shades of blue, yellow, and orange, creating a sense of energy and movement. The style appears to be expressionistic, with the figures and forms rendered in a distorted, almost dreamlike manner. The artwork seems to explore themes of the human experience, perhaps alluding to the complexities and contradictions of the human condition. The context suggests this work is a product of the artist's unique perspective and artistic vision, reflective of the expressive and experimental nature of contemporary art. ...

Similar Artworks

Dozie Kanuhollow tips exhausted forcing light, 202325000 USD

Rosângela RennóRio de Janeiro (Salvador Scofano, Agência O Dia), 200614400 EUR

Korakrit ArunanondchaiRaindrop Nursery, 2022Price on Request

Christina PataialiiBite fight-Mike Tyson, 2017Price on Request

Dozie KanuChair [ v ] (Electric Chair), 2018Price on Request

Rosângela RennóGood Apples / Bad Apples (Proposal for a Document- Monument), 201963000 EUR

Lucas ArrudaUntitled (from the Deserto - Modelo series ), 2019Price on Request

Antonio ObáEstripulia: pula-carniça, 2020Price on Request

Daniel De Paulacrash (from the verblist series), 2019Price on Request

Andrey Guaianá ZignnattoMestiçagem #21, 20217200 EUR

Janaina WagnerEm terra (Inland), 2020Price on Request

Artist

Pedro França

1984 , Brazilian

An artist and member of Ueinzz Theatre Group, Pedro França studied at the School of Visual Arts of Parque Lage in Rio de Janeiro between 2001 and 2005 and holds a Master Degree in Social History at PUC- Rio (Rio de Janeiro). Since 2011, pedro frança has been working as an artist in a variety of media, mainly paintings, installation and video. His work engages in schizo and metonymical rearrangements of images and objects, in both individual and collaborative practices. Since 2011, frança has been a part of Ueinzz Theatre Group, a theatre collective which gathers people with all sorts of psychic experiences. ...

Pedro França: Artworks

Pedro FrançaCRONOLOOP, Pool on Orc, 2019Price on Request

Pedro Françawheywhey (small letters), 2019Price on Request

Pedro FrançaNenhuma cabeça sob o sol, 2021Price on Request

Pedro Françatrês pontos, 2021Price on Request

Pedro FrançaIbiritaquera, 2020Price on Request

Pedro FrançaUntitled, 2021Price on Request

Pedro FrançaLuana, 2021Price on Request

Pedro FrançaThanos Futebol Mortes e Emprego, 2020Price on Request

Pedro FrançaAmanhã tem I, 2021Price on Request

Pedro Françanenhum, nenhum, cem mil I, 2021Price on Request

Pedro Françanenhum, nenhum, cem mil III, 2021Price on Request

Pedro FrançaÉ verdade que vimos coisas terríveis I, 2021Price on Request

Pedro Françastudy for “nenhum, nenhum, cem mil”, 20213000 EUR

Pedro FrançaÉ verdade que vimos coisas terríveis... II, 202110500 EUR

Gallery

Martins&Montero

Brussels, São Paulo

Founded in São Paulo in 2011, Galeria Jaqueline Martins is a space for research, documentation and presentation of contemporary artistic production. It proposes collaborative curatorial strategies that foster dialogue between different generations and different cultural perspectives. One of its guiding principles is the encouragement of research-oriented conceptualist practices characterized by critical, even subversive, approaches. Since its inauguration, the gallery has developed a special program around the investigation of artistic productions carried out during the Brazilian military period – more specifically from the 1970s and 1980s. It promotes a historical revision of processes grounded on strong intellectual resistance, audacity and commitment to art and which transformed the artistic practice in the country, but nonetheless were neglected throughout the last decades. By integrating research and practice that confront the contemporary scene by means of its exhibition program, the gallery encourages the revival of the debate that conceives of artistic actions as contact zones for the exercise of aesthetic, social and political change. In 2020 the gallery opened its second exhibition space, in Brussels, aiming to expand our presence in Europe and to develop a multidisciplinary program that will foster connections between our artists and Brazilian art practices in an international context. ...