Pedro França
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Description
Human-crafted. AI-refined.This abstract painting by an unidentified artist features bold, expressive brushstrokes in a vibrant yellow-orange palette. The central composition depicts a group of figures engaged in a dynamic, almost ritualistic movement, with their intertwining limbs creating a sense of unity and collective energy. The style is distinctly Expressionist, with the distorted, elongated forms and energetic, gestural handling of paint reflecting the artist's emotive interpretation of the human form and experience. While the specific context is unclear, the piece suggests a primal, communal celebration or ritual, inviting the viewer to ponder the underlying themes of human connection, collective expression, and the raw, elemental nature of the human experience. ...
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Pedro França
1984 , BrazilianAn artist and member of Ueinzz Theatre Group, Pedro França studied at the School of Visual Arts of Parque Lage in Rio de Janeiro between 2001 and 2005 and holds a Master Degree in Social History at PUC- Rio (Rio de Janeiro). Since 2011, pedro frança has been working as an artist in a variety of media, mainly paintings, installation and video. His work engages in schizo and metonymical rearrangements of images and objects, in both individual and collaborative practices. Since 2011, frança has been a part of Ueinzz Theatre Group, a theatre collective which gathers people with all sorts of psychic experiences. ...
Pedro França: Artworks
Martins&Montero
Brussels, São PauloFounded in São Paulo in 2011, Galeria Jaqueline Martins is a space for research, documentation and presentation of contemporary artistic production. It proposes collaborative curatorial strategies that foster dialogue between different generations and different cultural perspectives. One of its guiding principles is the encouragement of research-oriented conceptualist practices characterized by critical, even subversive, approaches. Since its inauguration, the gallery has developed a special program around the investigation of artistic productions carried out during the Brazilian military period – more specifically from the 1970s and 1980s. It promotes a historical revision of processes grounded on strong intellectual resistance, audacity and commitment to art and which transformed the artistic practice in the country, but nonetheless were neglected throughout the last decades. By integrating research and practice that confront the contemporary scene by means of its exhibition program, the gallery encourages the revival of the debate that conceives of artistic actions as contact zones for the exercise of aesthetic, social and political change. In 2020 the gallery opened its second exhibition space, in Brussels, aiming to expand our presence in Europe and to develop a multidisciplinary program that will foster connections between our artists and Brazilian art practices in an international context. ...