Luana

Pedro França

Luana, 2021110 x 90cmPrice on Request
Details
MaterialGalleryLocation
oil on linenMartins&MonteroBrussels
Description
Human-crafted. AI-refined.

This striking painting utilizes bold colors and surreal imagery to create a powerful visual impact. The central figure, rendered in shades of blue, stands with arms raised against a dark, nocturnal landscape. The large, luminous moon serves as the figure's head, lending an otherworldly, almost spiritual quality to the composition. The prominent use of geometric shapes and patterns in the background adds a sense of dynamism and visual complexity to the piece. The artist's distinctive style blends elements of Expressionism and Surrealism, inviting the viewer to ponder the deeper symbolic meaning behind this enigmatic and thought-provoking work. ...

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Artist
Pedro França
1984 , Brazilian

An artist and member of Ueinzz Theatre Group, Pedro França studied at the School of Visual Arts of Parque Lage in Rio de Janeiro between 2001 and 2005 and holds a Master Degree in Social History at PUC- Rio (Rio de Janeiro). Since 2011, pedro frança has been working as an artist in a variety of media, mainly paintings, installation and video. His work engages in schizo and metonymical rearrangements of images and objects, in both individual and collaborative practices. Since 2011, frança has been a part of Ueinzz Theatre Group, a theatre collective which gathers people with all sorts of psychic experiences. ...

Pedro França: Artworks
CRONOLOOP, Pool on Orc
Pedro FrançaCRONOLOOP, Pool on Orc, 2019Price on Request
wheywhey (small letters)
Pedro Françawheywhey (small letters), 2019Price on Request
Nenhuma cabeça sob o sol
Pedro FrançaNenhuma cabeça sob o sol, 2021Price on Request
três pontos
Pedro Françatrês pontos, 2021Price on Request
Ibiritaquera
Pedro FrançaIbiritaquera, 2020Price on Request
Untitled
Pedro FrançaUntitled, 2021Price on Request
Luana
Pedro FrançaLuana, 2021Price on Request
Thanos Futebol Mortes e Emprego
Pedro FrançaThanos Futebol Mortes e Emprego, 2020Price on Request
Amanhã tem I
Pedro FrançaAmanhã tem I, 2021Price on Request
nenhum, nenhum, cem mil I
Pedro Françanenhum, nenhum, cem mil I, 2021Price on Request
nenhum, nenhum, cem mil III
Pedro Françanenhum, nenhum, cem mil III, 2021Price on Request
É verdade que vimos coisas terríveis I
Pedro FrançaÉ verdade que vimos coisas terríveis I, 2021Price on Request
study for “nenhum, nenhum, cem mil”
Pedro Françastudy for “nenhum, nenhum, cem mil”, 20213000 EUR
É verdade que vimos coisas terríveis... II
Pedro FrançaÉ verdade que vimos coisas terríveis... II, 202110500 EUR
Martins&Montero
Gallery
Martins&Montero
Brussels, São Paulo

Founded in São Paulo in 2011, Galeria Jaqueline Martins is a space for research, documentation and presentation of contemporary artistic production. It proposes collaborative curatorial strategies that foster dialogue between different generations and different cultural perspectives. One of its guiding principles is the encouragement of research-oriented conceptualist practices characterized by critical, even subversive, approaches. Since its inauguration, the gallery has developed a special program around the investigation of artistic productions carried out during the Brazilian military period – more specifically from the 1970s and 1980s. It promotes a historical revision of processes grounded on strong intellectual resistance, audacity and commitment to art and which transformed the artistic practice in the country, but nonetheless were neglected throughout the last decades. By integrating research and practice that confront the contemporary scene by means of its exhibition program, the gallery encourages the revival of the debate that conceives of artistic actions as contact zones for the exercise of aesthetic, social and political change. In 2020 the gallery opened its second exhibition space, in Brussels, aiming to expand our presence in Europe and to develop a multidisciplinary program that will foster connections between our artists and Brazilian art practices in an international context. ...