Dozie Kanu
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Description
The artwork features a minimalist design with a bold red circular seat atop a sturdy burgundy pedestal. The simple, geometric composition emphasizes the materials and industrial nature of the object. The contrasting colors and smooth, polished surface create a visually striking piece. This utilitarian stool likely serves as both a functional and artistic statement, reflecting the artist's interest in repurposing everyday objects into thought-provoking works. The work exemplifies the contemporary trend of elevating mundane items into sculptural artforms, inviting the viewer to reconsider the beauty and meaning in the commonplace. ...
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Dozie Kanu
B.1993, American/NigerianAppropriating found objects and refashioning them to new aesthetics, Dozie Kanu creates sculptures and photography that are inherently disobedient and stubbornly slippery. They resist classification and exist instead as communicative or performative objects. Kanu’s ongoing investigation into the limits of form, functionality, materiality and usefulness are often filtered through a personal lens drawn from the artist’s lived experiences. In the artist’s debut solo exhibition at Project Native Informant, Owe Deed, One Deep, 2020, every sculpture remixes and modifies found objects, with the visible rust as a reminder of how readily items are discarded once they are deemed no longer productive. The repurposing of objects deemed useless, the artist honours and reanimates the people whose labour gave them function. In extending the lives of these unwanted items, he perpetuates the existence of those who brought them into being. His memorialisation is a site of collective mourning which has not yet ceased to exist, acknowledging that the pathways and legacies of the oppressive systems of the past continue to characterize the present. ...
Dozie Kanu: Artworks
Project Native Informant
LondonContemporary art gallery established in 2013 with a strong interest in expanded institutional critique. Project Native Informant works with 16 artists and collectives, producing 5-6 exhibitions per year and hosting performances, concerts, talks and events.