The Fountain Archives

Saâdane Afif

The Fountain Archives , 2008Price on Request
Details
MaterialGallery
group of 4 pages torn out from publications, framedmor charpentier
Description
Human-crafted. AI-refined.

This contemporary art display features a series of black-and-white photographic works. The compositions prominently feature an abstract triangular shape, capturing its various manifestations and perspectives. The stark, high-contrast images utilize the triangle as a symbolic visual element, with the frames and shadows creating an interplay of light and form. The style is minimalist and conceptual, inviting the viewer to contemplate the relationships between shapes, space, and the underlying artistic intention. This body of work likely explores themes of geometry, abstraction, and the power of reduced visual language in the photographic medium. ...

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Saâdane Afif
Artist
Saâdane Afif
B.1970, French

His multifaceted work draws on the know-how of craftsmen, musicians and writers in collaborative projects that challenge the very concept of the unique work of art or the individual creator. Afif, who describes himself as a “talkative conceptual artist,” uses forms of popular culture, such as music, to bring people together in a shared moment of creativity. Through the exploration of different media (performances, objects, sculptures, texts, posters, etc.), it provokes both the collapse and the expansion of the notion of creative paternity. ...

Saâdane Afif: Artworks
The Fountain Archives
Saâdane AfifThe Fountain Archives, 2008Price on Request
Flute (No Commercial Love)
Saâdane AfifFlute (No Commercial Love), 2018Price on Request
Shortcut
Saâdane AfifShortcut, 2018Price on Request
Laocoon
Saâdane AfifLaocoon, 2021Price on Request
L’Éternité
Saâdane AfifL’Éternité, 2016Price on Request
Reading BU1.6 (Suspense, 2004)
Saâdane AfifReading BU1.6 (Suspense, 2004), 2010Price on Request
Vie de Yasmine
Saâdane AfifVie de Yasmine, 2022Price on Request
Vice de forme (green)
Saâdane AfifVice de forme (green), 2018Price on Request
The Fountain Archives
Saâdane AfifThe Fountain Archives, 2008Price on Request
The Fountain Archives
Saâdane AfifThe Fountain Archives, 2008Price on Request
The Fountain Archives
Saâdane AfifThe Fountain Archives, 2008Price on Request
The Fountain Archives
Saâdane AfifThe Fountain Archives, 2008Price on Request
The Fountain Archives
Saâdane AfifThe Fountain Archives , 20086500 EUR
The Fountain Archives
Saâdane AfifThe Fountain Archives , 2008Price on Request
L’Eternité (R6_Yakushima)
Saâdane AfifL’Eternité (R6_Yakushima), 2016Price on Request
L’Eternité (C1_Yakushima)
Saâdane AfifL’Eternité (C1_Yakushima), 2016Price on Request
mor charpentier
Gallery
mor charpentier
Paris, Bogotá

Established in Paris since 2010, mor charpentier represents both emerging and well-established artists whose conceptual practices are anchored in social realities, history and the politics of contrasting geographic regions. By promoting international practices, the gallery aims to broaden the knowledge of crucial debates of the present. A significant inaugural show with Colombian master, Oscar Muñoz, fulfilled a void in the French artistic scene by broadening the spectrum of origins, subjects and identities in the art market. Ever since, a growing number of major international artists have joined the gallery. Coming from different generations and global backgrounds, they all share a commitment to either political, feminist, post-colonial, queer or human rights causes. Amongst them are Lawrence Abu Hamdan, Teresa Margolles, Chen Ching-Yuan, Liliana Porter, Bouchra Khalili, Carlos Motta, Hajra Waheed, and more. Equal gender representation and diversity is also part of the gallery goals, with half of the represented artists being women. In 2021 mor charpentier opened a second exhibition space in Bogotá. This expansion was driven to expand the reach of the gallery program to new publics and encourage artists to explore new territories. It consolidated a long-term bond with the Latin American art scene and the international projection of the gallery. ...