Dust, XX (Time for Waste)

Sam Bakewell

Dust, XX (Time for Waste), 20194 x 28 x 22.5cmSign in to view price
Details
MaterialGallery
Description
Human-crafted. AI-refined.

This contemporary artwork features a rectangular block composed of various shades of green terrazzo material. The surface has an uneven, granular texture, with scattered flecks and fragments visible throughout. The shape is simple and geometric, with a rectangular void or negative space carved into one side, creating an asymmetrical and visually striking composition. The use of terrazzo, a composite material often employed in architectural and design applications, lends the piece a tactile, industrial quality. The artist's intention may have been to explore themes of materiality, minimalism, and the interplay between positive and negative space. ...

Similar Artworks
falling hours
Kira Freije
falling hours, 2023
157 x 58 x 78cm
Learnt Behaviour
Sophie Ruigrok
Learnt Behaviour, 2022
57 x 37cm
permanence of a sacred tongue
Kira Freije
permanence of a sacred tongue, 2022
122 x 65 x 98cm
Da Bonez to Pick
Weary travellers gather, in unison eyes scour the dusty ground
Kira Freije
Weary travellers gather, in unison eyes scour the dusty ground, 2021
80 x 36 x 50cm
Cruel Intentions
Alex Clarke
Cruel Intentions, 2022
80 x 35.6cm
Delete the Beans (Deadweight)
Abbas Zahedi
Delete the Beans (Deadweight), 2022
8.5 x 5 x 5cm
Moving towards the calm one, whose arms open, the breadth of happiness in measurable form
Kira Freije
Moving towards the calm one, whose arms open, the breadth of happiness in measurable form, 2021
166 x 67 x 85cm
Ribs in ribbons
Jessie Makinson
Ribs in ribbons, 2023
120 x 200cm
 reversible side teble/stool
Philippe Malouin
reversible side teble/stool, 2021
51 x 43 x 43cm
Ring of Unbridled Nuance
Hardeep Pandhal
Ring of Unbridled Nuance, 2020
17.6 x 12.6cm
Sting to your bow
Jessie Makinson
Sting to your bow, 2024
49.5 x 30.5cm
I'd rather stand
The plan was D, for dog, but also others (bed making)
Helen Marten
The plan was D, for dog, but also others (bed making), 2023
280 x 245 x 8.5cm
Life Support(Part 1) Center Right Assemblage
Abbas Zahedi
Life Support(Part 1) Center Right Assemblage, 2025
195 x 30cm
The Profitless Gift
Jala Wahid
The Profitless Gift, 2021
Temperant Observer
Kira Freije
Temperant Observer, 2023
175 x 75 x 68cm
Waiting for you (Part five)
Sophie Ruigrok
Waiting for you (Part five), 2022
39 x 39cm
Sam Bakewell
Artist
Sam Bakewell
B.1983, British

Sam Bakewell is a London-based artist who continuously explores and challenges the limits of clay as a medium. His works, ranging from tiny to enormous, are often abstract, colourful and conceptually eloquent. Bakewell often uses clay dust in his works, reevaluating the usefulness of that which is deemed as waste. The malleability and historical connotation of the material inspire themes of collective human experience, iconography and historical parallels. Bakewell finds inspiration in poets and artists, such as Ted Hudges, Martin Brothers and William De Morgan. His practice reimagines distant artistic elements of poetry, painting, or woodwork into clay-based interpretations, striving to undo the learned professional skill of pottery-making. Bakewell’s personal connection to the material goes back to the artist’s childhood where he would make magical creatures out of clay found in his parents’ garden. The sensation of joy he experienced as a child transcends the years and can be felt by his audience today. ...

Sam Bakewell: Artworks
Healing Practice
Sam Bakewell
Healing Practice, 2024
28.5 x 20 x 6cm
Tired Moments Into Pleasure
Sam Bakewell
Tired Moments Into Pleasure, 2024
28.5 x 19 x 5cm
Inner Life
Sam Bakewell
Inner Life, 2024
28.5 x 19 x 7cm
Lustmore
Sam Bakewell
Lustmore, 2024
29 x 23 x 4.5cm
Lithic in its Meat
Sam Bakewell
Lithic in its Meat, 2024
29.5 x 20 x 7.5cm
Purity & Danger
Sam Bakewell
Purity & Danger, 2024
29 x 19 x 7.5cm
Minds-Down
Sam Bakewell
Minds-Down, 2024
29 x 19 x 4.5cm
No Touching
Sam Bakewell
No Touching, 2024
29.5 x 19.5 x 4.5cm
Singing to Myself
Sam Bakewell
Singing to Myself, 2024
29 x 19 x 5cm
First Flush
Sam Bakewell
First Flush, 2024
29.5 x 19.6 x 6.5cm
Private Time
Sam Bakewell
Private Time, 2024
30 x 23 x 7cm
All the longing were butter, II
Sam Bakewell
All the longing were butter, II, 2024
28 x 19 x 6cm
All the longing were butter, I
Sam Bakewell
All the longing were butter, I, 2024
29 x 19 x 6cm
Amnesia like Slurry
Sam Bakewell
Amnesia like Slurry, 2024
30 x 20 x 4.5cm
Backwaters
Sam Bakewell
Backwaters, 2024
31 x 21 x 7cm
Dust, XIV (Time for Waste)
Sam Bakewell
Dust, XIV (Time for Waste), 2019
5 x 6.5 x 6cm
Dust, XX (Time for Waste)
Sam Bakewell
Dust, XX (Time for Waste), 2019
4 x 28 x 22.5cm
Contemplated by the Christian Soul
Sam Bakewell
Contemplated by the Christian Soul , 2021
25.5 x 39 x 4cm
Drift Study
Sam Bakewell
Drift Study, 2022
33.9 x 37.3 x 3.1cm
Drift Study
Sam Bakewell
Drift Study, 2022
31.4 x 35.9 x 4.3cm
Drift Study
Sam Bakewell
Drift Study, 2022
30 x 35 x 4cm
Drift Study
Sam Bakewell
Drift Study, 2022
32 x 36 x 4.8cm
Corvi-Mora
Gallery
Corvi-Mora
London

Corvi-Mora is a contemporary art gallery based in Kennington, South London. The gallery currently represents over 30 artists, including Dominique Gonzalez-Foerster, Lynette Yiadom-Boakye, Alvaro Barrington, Jennifer Packer, Brian Calvin, Tomoaki Suzuki and established international artists such as Turner Prize nominees Roger Hiorns and Lynette Yiadom-Boakye. Corvi-Mora was founded by Tommaso Corvi-Mora in 2000 at premises in London's Warren Street after the closure of the gallery Robert Prime which he founded in partnership with Gregorio Magnani in 1995. Corvi-Mora moved to a space on Kempsford Road in 2004 with the contemporary art gallery greengrassi. Notable exhibitions include Sorrow for A Cipher by Lynette Yiadom-Boakye in 2016, Roger Hiorns in 2004 and 2015, The Commune Itself Becomes a Super State by Liam Gillick in 2007, Rachel Feinstein in 2007, and Richard Hawkins in 2009. ...

Unlock Price & Inquiry Access