2100 (Fleeting Home)

Sandra Mujinga

2100 (Fleeting Home), 2023300 x 500 x 200cmSign in to view price
Details
MaterialGallery
steel, steel wire, diverse fabricsThe approach
Description
Human-crafted. AI-refined.

Sandra Mujinga's sculpture "2100 (Fleeting Home)" features an intricate web of woven ropes forming an angular, tent-like structure. Dominated by earthy tones of purple and brown, the piece's organic forms evoke a sense of fragility and impermanence. The open composition allows for light and shadow interplay, enhancing its ethereal quality. Mujinga's style reflects a confrontation with colonial histories and environmental anxieties, embodying ghostly presences through abstract forms. This work challenges viewers to contemplate the lingering effects of history and the uncertainty of future climates. ...

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Sandra Mujinga
Artist
Sandra Mujinga
B.1989, Congolese

Whether these are the spectral personifications of forgotten histories, the remnants of colonial legacies, or harbingers of the climate crisis and planetary destruction, Sandra Mujinga is fascinated with the idea of ghosts. She is concerned with the idea of traces and fragments; that nothing ever disappears completely. Perhaps just like with ghosts, one tries to forget that they are there, to consign their presence to the corner of the room, but they remain lurking, like an underlying anxiety. Mujinga says that when you are born into a racialised body, the histories and violence of colonialism can never be forgotten; overlooking the past is a privilege. The artist’s work takes several forms, from moving image to installation. Her most recognisable piece to date saw four figures, Libwá, Mókó, Nkáma and Zómi, faceless, towering above the visitor and rendered with textiles, guarding the space. Bathed in chroma key green – the colour used for green screen, onto which anything can be transposed and therefore fictionalised – the sculptures seem able to transform, mutate, or reappear. ...

Sandra Mujinga: Artworks
Flo
Sandra MujingaFlo, 2019
356 x 317 x 140cm
Nokturnal Kinship 1
Uniform
Sandra MujingaUniform, 2018
225 x 65cm
Skin to Skin
Sandra MujingaSkin to Skin, 2025
300 x 80 x 50cm
And My Body Carried All of You
When We Were
2100 (Fleeting Home)
Between Moments (2)
Lack #400
Love Language (1)
Sandra MujingaLove Language (1), 2023
106 x 64 x 188cm
And What Was Left? (2)
Build My Skin with Rocks
LACK #10
LACK #890
LACK #
Sandra MujingaLACK #, 2044
94 x 64cm
Reworlding Remains
Sandra MujingaReworlding Remains, 2021
270 x 100 x 35cm
Atrophic Giants
Companionship
Sandra MujingaCompanionship, 2057
220 x 60 x 20cm
The approach
Gallery
The approach
London

The Approach is co-directed by Jake Miller and Emma Robertson. Located in Bethnal Green above The Approach Tavern, for over twenty years it has operated an internationally recognised programme from its East London base. The gallery is known for discovering artists and establishing their careers as well as making inter-generational curated group shows a strong focus. The list of represented artists includes the Estates of important overlooked female artists Heidi Bucher and Maria Pinińska Bereś, as well as seminal British collage artist John Stezaker, together with established and emerging artists including Magali Reus, Peter Davies, Lisa Oppenheim, Sandra Mujinga, Pam Evelyn, Sara Cwynar, Sam Windett and Caitlin Keogh. Over the years the gallery has operated parallel programmes in additional gallery spaces in London’s West End (The Approach W1) and in Shoreditch (The Reliance). The gallery is currently based solely in its original East End location and continues to expand its programme, showcasing its represented artists in the main gallery space, and both represented and non-represented artists in The Annexe, a smaller, more experimental space at the back of the building. ...