Reworlding Remains
Reworlding Remains
Reworlding Remains
Reworlding Remains
Reworlding Remains
Reworlding Remains
Reworlding Remains
Reworlding Remains

Sandra Mujinga

Reworlding Remains, 2021270 x 100 x 35cmSign in to view price
Details
MaterialGallery
weaved torn second-hand fabric, bedsheets,curtains, linen, cotton, organic cotton, dyed cotton with textile dye and acrylic paint, cotton coated with concrete, sound foam, soft pvc, steel rods, concrete base with foam around it, caps for tubular steel (felt and plastic).The approach
Description
Human-crafted. AI-refined.

This artwork immerses the viewer in a vibrant, monochromatic green environment. The composition features an array of textured and patterned fabrics, creating a visually striking and immersive experience. The artist has utilized various shades and tones of green, ranging from deep forest hues to lighter, more vibrant shades, resulting in a captivating and visually arresting display. The intricate textures and patterns suggest a sense of depth and movement within the piece, inviting the viewer to explore and engage with the artwork on a sensory level. The artist's intention appears to be to challenge the viewer's perception and create a powerful, immersive visual experience through the strategic use of color and texture. ...

Similar Artworks
Eight View of Oud-Charlois, No.4
Evelyn Taocheng Wang 王伊芙苓韜程Eight View of Oud-Charlois, No.4, 2019
63.7 x 123.5 x 5cm
Anti-Trauma Walk
Untitled (BCE)
High Point
Olivia ErlangerHigh Point, 2020
114.3 x 76.2 x 76.2cm
Duck Blood
Evelyn Taocheng Wang 王伊芙苓韜程Duck Blood, 2021
45 x 48cm
Autumn Reputation
Evelyn Taocheng Wang 王伊芙苓韜程Autumn Reputation, 2023
200 x 200 x 2.5cm
Eight View of Oud-Charlois, No.2
Evelyn Taocheng Wang 王伊芙苓韜程Eight View of Oud-Charlois, No.2, 2019
63.7 x 123.5 x 5cm
Lying in the still waters of erasure
Flax and Imitation of Agnes Martin
Evelyn Taocheng Wang 王伊芙苓韜程Flax and Imitation of Agnes Martin, 2023
185 x 185 x 2.5cm
Rape Gaze
Sophia Al MariaRape Gaze, 2014
198 x 320 x 4cm
Turtle Cam
Erin Jane NelsonTurtle Cam, 2025
25.4 x 21.6 x 24.8cm
Optics
Sophia Al MariaOptics, 2017
24 x 42cm
Beast Mode 1
Sophia Al MariaBeast Mode 1, 2020
47 x 36.5 x 3.7cm
Dolphin and Russian Young Man in Kitchen
Evelyn Taocheng Wang 王伊芙苓韜程Dolphin and Russian Young Man in Kitchen, 2021
98 x 197cm
Heinemann and Rotterdamer Bush
Evelyn Taocheng Wang 王伊芙苓韜程Heinemann and Rotterdamer Bush, 2021
60 x 80 x 3cm
5:13 PM
Olivia Erlanger5:13 PM, 2020
50.8 x 50.8 x 25.4cm
Salt River
Erin Jane NelsonSalt River, 2025
34.9 x 27.3cm
Accumunation
Evelyn Taocheng Wang 王伊芙苓韜程Accumunation, 2023
147 x 154.2 x 5cm
Battle
Sophia Al MariaBattle, 2017
24 x 42cm
Sunflower Cam
Erin Jane NelsonSunflower Cam, 2025
62.2 x 61 x 39.4cm
Gravity
Trisha BagaGravity, 2024
198 x 262 x 6cm
Peptides
Sophia Al MariaPeptides, 2017
24 x 42cm
Rufina
Erin Jane NelsonRufina, 2025
36.2 x 26.7cm
Untitled - Platypus, Divisionism, Proletariat
Evelyn Taocheng Wang 王伊芙苓韜程Untitled - Platypus, Divisionism, Proletariat, 2013-2014
75 x 340 x 60cm
Sandra Mujinga
Artist
Sandra Mujinga
B.1989, Congolese

Whether these are the spectral personifications of forgotten histories, the remnants of colonial legacies, or harbingers of the climate crisis and planetary destruction, Sandra Mujinga is fascinated with the idea of ghosts. She is concerned with the idea of traces and fragments; that nothing ever disappears completely. Perhaps just like with ghosts, one tries to forget that they are there, to consign their presence to the corner of the room, but they remain lurking, like an underlying anxiety. Mujinga says that when you are born into a racialised body, the histories and violence of colonialism can never be forgotten; overlooking the past is a privilege. The artist’s work takes several forms, from moving image to installation. Her most recognisable piece to date saw four figures, Libwá, Mókó, Nkáma and Zómi, faceless, towering above the visitor and rendered with textiles, guarding the space. Bathed in chroma key green – the colour used for green screen, onto which anything can be transposed and therefore fictionalised – the sculptures seem able to transform, mutate, or reappear. ...

Sandra Mujinga: Artworks
Camuflage Waves 1–3
Humans
Sandra MujingaHumans, 2016
150 x 100cm
Lovely Hosts 6
Lovely Hosts 4
Lovely Hosts 5
Camouflage Waves #1
Release
Sandra MujingaRelease, 2018
30 x 120 x 60cm
Mottle
Sandra MujingaMottle, 2018
320 x 60cm
Nkámá
Sandra MujingaNkámá, 2019
270 x 110 x 50cm
Reworlding Remains
Sandra MujingaReworlding Remains, 2021
270 x 100 x 35cm
Sentinels of Change
Sandra MujingaSentinels of Change, 2021
685.8 x 254 x 88.9cm
Throwing Voice
Sandra MujingaThrowing Voice, 2016
111.76 x 20.32 x 55.88cm ⌀12.7cm
Flo
Sandra MujingaFlo, 2019
356 x 317 x 170cm
Flo
Sandra MujingaFlo, 2019
356 x 317 x 140cm
Nokturnal Kinship 1
Uniform
Sandra MujingaUniform, 2018
225 x 65cm
Change Will Prevail (1)
And What Was Left (5)
And What Was Left (2)
Love Language (1)
Sandra MujingaLove Language (1), 2023
106 x 64 x 188cm
Build My Skin with Rocks
LACK #10
LACK #890
LACK #
Sandra MujingaLACK #, 2044
94 x 64cm
Reworlding Remains
Sandra MujingaReworlding Remains, 2021
270 x 100 x 35cm
Atrophic Giants
Companionship
Sandra MujingaCompanionship, 2057
220 x 60 x 20cm
The approach
Gallery
The approach
London

The Approach is co-directed by Jake Miller and Emma Robertson. Located in Bethnal Green above The Approach Tavern, for over twenty years it has operated an internationally recognised programme from its East London base. The gallery is known for discovering artists and establishing their careers as well as making inter-generational curated group shows a strong focus. The list of represented artists includes the Estates of important overlooked female artists Heidi Bucher and Maria Pinińska Bereś, as well as seminal British collage artist John Stezaker, together with established and emerging artists including Magali Reus, Peter Davies, Lisa Oppenheim, Sandra Mujinga, Pam Evelyn, Sara Cwynar, Sam Windett and Caitlin Keogh. Over the years the gallery has operated parallel programmes in additional gallery spaces in London’s West End (The Approach W1) and in Shoreditch (The Reliance). The gallery is currently based solely in its original East End location and continues to expand its programme, showcasing its represented artists in the main gallery space, and both represented and non-represented artists in The Annexe, a smaller, more experimental space at the back of the building. ...

Unlock Price & Inquiry Access