The Hateful Heart of White Diver, A Harbinger of The Apocalypse, Whose Anguished Nativity and Bad Te...
The Hateful Heart of White Diver, A Harbinger of The Apocalypse, Whose Anguished Nativity and Bad Te...
The Hateful Heart of White Diver, A Harbinger of The Apocalypse, Whose Anguished Nativity and Bad Te...
The Hateful Heart of White Diver, A Harbinger of The Apocalypse, Whose Anguished Nativity and Bad Te...

Sedrick Chisom

The Hateful Heart of White Diver, A Harbinger of The Apocalypse, Whose Anguished Nativity and Bad Teeth Could Not Disguise Blighted Hands, 2022165 x 140cmSign in to view price
Details
MaterialGallery
oil on linenPilar Corrias
Description
Human-crafted. AI-refined.

This contemporary artwork portrays a nude figure partially obscured by the branches of a large tree. The colors are bold and vibrant, with lush greens, blues, and earthy tones creating a dynamic, almost dreamlike composition. The figure's serene expression and the natural setting suggest a sense of harmony and integration between the human form and the surrounding environment. The artist's distinct style and use of abstract shapes and patterns lend the piece a surreal, symbolic quality, hinting at deeper thematic or metaphorical intentions. Overall, this work invites the viewer to contemplate the relationship between the human and the natural world. ...

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Sedrick Chisom
Artist
Sedrick Chisom
B.1989, American

At the center of Sedrick Chisom’s practice is a commitment to confounding racial origin myths and pseudosciences toward creating apocalyptic fantasies in writing and painting. Appropriating imagery from Black Lives Matter demonstrations, medieval Christian iconography, and Greek mythology, Chisom questions who has the power to construct natural and social worlds, upending the authority of those worlds in the process. Chisom appoints himself a new mythmaker, one whose motivation is fundamentally pro-Black and who is committed to the acceleration of new imaginative possibilities. Chisom’s paintings are informed by and in dialogue with the speculative narratives he generates out of his extensive research practice. One subject of his narratives is the departure the POC Federation Fleet, after which all people of color have been transported away from Earth, leaving behind a series of landlocked commonwealths inhabited by white people with a medical condition that has altered the pigment of their skin. In his paintings, sickly violets, bright greens, and iridescent whites evoke the strange toxins of his narratives. In Chisom’s segregation narratives, the division of humans by supposed race is re-imagined, and the tropes of the American Civil War and other historic conflicts are revised. The remaining white race is divided into military opposition forces characterized respectively as the Confederate Disaffiliation of States and the Coastal Union of Civic States, both of which strive to re-assert their whiteness in a world where only white people remain. ...

Sedrick Chisom: Artworks
TBC finished as CHIS 2022002
Sedrick Chisom
TBC finished as CHIS 2022002, 2021
172.5 x 107.3cm
The Hateful Heart of White Diver, A Harbinger of The Apocalypse, Whose Anguished Nativity and Bad Teeth Could Not Disguise Blighted Hands
Sedrick Chisom
The Hateful Heart of White Diver, A Harbinger of The Apocalypse, Whose Anguished Nativity and Bad Teeth Could Not Disguise Blighted Hands, 2022
165 x 140cm
The Hero of Dionysus Emerged Inching Through Umbrage
Sedrick Chisom
The Hero of Dionysus Emerged Inching Through Umbrage, 2020
152.4 x 111.8cm
The Drunk Cooldown Rhythms Capitulated By a Deserter of The Southern Cross on Intimate Terms with Catastrophe
Sedrick Chisom
The Drunk Cooldown Rhythms Capitulated By a Deserter of The Southern Cross on Intimate Terms with Catastrophe, 2020
182.9 x 127cm
The Dreadful Constitution of a Perplexed Centenarian Who Stumbled Through The Realm in the Age of Fire and Snow
Sedrick Chisom
The Dreadful Constitution of a Perplexed Centenarian Who Stumbled Through The Realm in the Age of Fire and Snow, 2021
181 x 144.8cm
A Blighted Cavalryman Patrolled the Valley of The Rocks on His Worn Out Horse Through Dead Mist at Miasmic Ass-crack Hours
Sedrick Chisom
A Blighted Cavalryman Patrolled the Valley of The Rocks on His Worn Out Horse Through Dead Mist at Miasmic Ass-crack Hours, 2021
182.9 x 132.1cm
A self identified 'Axe-bish' of the Blighted Calvary Stood Guard over the Occidental Tower - she was among many daughters of the Southern Cross
Sedrick Chisom
A self identified 'Axe-bish' of the Blighted Calvary Stood Guard over the Occidental Tower - she was among many daughters of the Southern Cross, 2020
76.2 x 55.9cm
The Woes of the Westward Kingdom were Such that the Angel Moroni Delivered A Dionysian Hero to the Daughters and Sons of the Southern Cross
Sedrick Chisom
The Woes of the Westward Kingdom were Such that the Angel Moroni Delivered A Dionysian Hero to the Daughters and Sons of the Southern Cross, 2020
167.6 x 132.1cm
The Wholly Avoidable Death of Mighty Whitey, The Last Drunk Dionysian Hero, AKA The Wholly Tragic Birth of Fragile Narcissus
Sedrick Chisom
The Wholly Avoidable Death of Mighty Whitey, The Last Drunk Dionysian Hero, AKA The Wholly Tragic Birth of Fragile Narcissus, 2020
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Medusa's Covenant With The Lord of the Woods
Sedrick Chisom
Medusa's Covenant With The Lord of the Woods, 2020
182.9 x 132.1cm
The Strife of Talons Over a Hat of the Southern Cross
Sedrick Chisom
The Strife of Talons Over a Hat of the Southern Cross, 2020
150.5 x 112.4cm
The Kemetopians
Sedrick Chisom
The Kemetopians, 2020
159.1 x 120 x 4.8cm
Pilar Corrias
Gallery
Pilar Corrias
London, London

Pilar Corrias Gallery is a contemporary art gallery owned by Pilar Corrias. The 3,800 square foot gallery in London's Fitzrovia, designed by Rem Koolhaas, is made up of two exhibition spaces, located in the heart of London's West End. Pilar Corrias opened a second London gallery space at 2 Savile Row in July 2021, designed by London and Oslo-based architect firm Hesselbrand. Since its inception, the gallery has worked with emerging and established artists with the central aim of allowing their work to grow both in terms of production of new projects and the making of new exhibitions. Pilar Corrias now represents a total of thirty-two international artists, two-thirds of whom are female. ...

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