The Dreadful Constitution of a Perplexed Centenarian Who Stumbled Through The Realm in the Age of Fi...
The Dreadful Constitution of a Perplexed Centenarian Who Stumbled Through The Realm in the Age of Fi...
The Dreadful Constitution of a Perplexed Centenarian Who Stumbled Through The Realm in the Age of Fi...
The Dreadful Constitution of a Perplexed Centenarian Who Stumbled Through The Realm in the Age of Fi...
The Dreadful Constitution of a Perplexed Centenarian Who Stumbled Through The Realm in the Age of Fi...
The Dreadful Constitution of a Perplexed Centenarian Who Stumbled Through The Realm in the Age of Fi...
The Dreadful Constitution of a Perplexed Centenarian Who Stumbled Through The Realm in the Age of Fi...

Sedrick Chisom

The Dreadful Constitution of a Perplexed Centenarian Who Stumbled Through The Realm in the Age of Fire and Snow, 2021181 x 144.8cmSign in to view price
Details
MaterialGallery
oil, acrylic, spray paint, and watercolour pencil on tiled sheets of paper glued to canvasPilar Corrias
Description
Human-crafted. AI-refined.

This vibrant abstract painting showcases a dynamic interplay of colors and textures. The canvas is dominated by a lush, verdant green hue, with intermittent splashes of yellow and white creating a sense of movement and energy. The brushstrokes are bold and expressive, lending the work a visceral, gestural quality that evokes a sense of spontaneity and emotional depth. The overall composition is balanced and visually engaging, inviting the viewer to explore the complex layers of color and form. This piece exemplifies the artist's masterful command of the medium and their ability to create a captivating and immersive visual experience. ...

Similar Artworks
An island is all surrounded by water In the morning foreboding Quickly solved by dripping A shower, ...
Rindon Johnson
An island is all surrounded by water In the morning foreboding Quickly solved by dripping A shower, you know A slow crawl to the park Wait first meat A coffee A hill A roundabout A breeze on the lake A larking body of water, once screaming once babbling, once running A sleeping family A white child with A water gun A tall tree A tunneling A horn Another A too small blanket, you in my mind and next to me A wind in my ears, my basement look what I found, leave the lights on A sigh A tie on a rooftop A still flooding Another horn All in the flight path An immovable object A clapping of leaves A certainty, it is seven feet deep One boy watches the other A horn, 2022
157.5 x 127cm
hang something metric
Dozie Kanu
hang something metric, 2022
200 x 150 x 40cm
Un)Kraut
Sung Tieu
Un)Kraut, 2023
41.2 x 55.2cm
An island is all surrounded by water In the morning foreboding Quickly solved by dripping A shower, ...
Rindon Johnson
An island is all surrounded by water In the morning foreboding Quickly solved by dripping A shower, you know A slow crawl to the park Wait first meat A coffee A hill A roundabout A breeze on the lake A larking body of water, once screaming once babbling, once running A sleeping family A white child with A water gun A tall tree A tunneling A horn Another A too small blanket, you in my mind and next to me A wind in my ears, my basement look what I found, leave the lights on A sigh A tie on a rooftop A still flooding Another horn All in the flight path An immovable object A clapping of leaves A certainty, it is seven feet deep One boy watches the other A horn, 2022
157.5 x 127cm
Monopole d’État
Sung Tieu
Monopole d’État, 2025
46.8 x 207 x 64cm
At The Moment
Dozie Kanu
At The Moment, 2021
142.2 x 116.8 x 55.9cm
hemorrhaged and made deaf
Dozie Kanu
hemorrhaged and made deaf, 2020
62 x 58 x 82cm
We talked of the slide show in the circus. Use a pencil to write the first draft. He ran half way to...
Rindon Johnson
We talked of the slide show in the circus. Use a pencil to write the first draft. He ran half way to the hardware store. The clock struck to mark the third period. A small creek cut across the field. Cars and busses stalled in snow drifts. Not clumping. The set of china hit, the floor with a crash. This is a grand season for hikes on the road. The dune rose from the edge of the water. Those words were the cue for the actor to leave., 2022
141 x 116cm
memories let me be (adornment slaughtered)
Dozie Kanu
memories let me be (adornment slaughtered), 2023
70 x 104.2 x 55cm
An island is all surrounded by water In the morning foreboding Quickly solved by dripping A shower, ...
Rindon Johnson
An island is all surrounded by water In the morning foreboding Quickly solved by dripping A shower, you know A slow crawl to the park Wait first meat A coffee A hill A roundabout A breeze on the lake A larking body of water, once screaming once babbling, once running A sleeping family A white child with A water gun A tall tree A tunneling A horn Another A too small blanket, you in my mind and next to me A wind in my ears, my basement look what I found, leave the lights on A sigh A tie on a rooftop A still flooding Another horn All in the flight path An immovable object A clapping of leaves A certainty, it is seven feet deep One boy watches the other A horn, 2022
157.5 x 127cm
hollow tips exhausted forcing light
Dozie Kanu
hollow tips exhausted forcing light, 2023
157 x 65 x 65cm
Having come from above wrapped in a purple cloak, shallow fiber, pain and sleep
Rindon Johnson
Having come from above wrapped in a purple cloak, shallow fiber, pain and sleep, 2022
117 x 137cm
Chair [ xiii ] (Stand Up) (Ja Rule)
Dozie Kanu
Chair [ xiii ] (Stand Up) (Ja Rule), 2019
119.5 x 64 x 54.5cm
I am wearing pants today
Rindon Johnson
I am wearing pants today, 2022
64 x 76.5cm
Emo State
Dozie Kanu
Emo State, 2020
31.5 x 26 x 3.5cm
Sweet words work better than fierce. The duke left the park in a silver coach. Greet the new guests ...
Rindon Johnson
Sweet words work better than fierce. The duke left the park in a silver coach. Greet the new guests and leave quickly. When the frost has come it is time for turkey. A thin stripe runs down the middle. A six comes up more often than a ten. Lush fern grow on the lofty rocks, 2022
139.7 x 297.2cm
Views From A Sedan Chair, (Midway)
Sung Tieu
Views From A Sedan Chair, (Midway), 2025
200 x 100 x 0.5cm
O Do Rot Coat Roast Aortic Actions Tornados Consortia Rodin’s Coat
Jesse Wine
O Do Rot Coat Roast Aortic Actions Tornados Consortia Rodin’s Coat, 2024
180.3 x 45.7 x 45.7cm
The grass and bushes were wet with dew. The man counted his old coins. A severe storm tore down the ...
Rindon Johnson
The grass and bushes were wet with dew. The man counted his old coins. A severe storm tore down the barn. She called his name many times. When you hear the bell, come quickly, 2022
110 x 150cm
Chair [iii] Commission
Dozie Kanu
Chair [iii] Commission, 2018
94 x 48.3 x 42cm
Self Portrait as clone of Jeanne d'Arc (Algernon Joan)
Bunny Rogers
Self Portrait as clone of Jeanne d'Arc (Algernon Joan), 2019
200.5 x 163 x 7.5cm
Black Box Collision A (21)
Shannon Ebner
Black Box Collision A (21), 2014
162.5 x 109cm
Colore (1782)
Rachel Rose
Colore (1782), 2022
88.6 x 101.9 x 3.5cm
Untitled (HM2)
Juliana Huxtable
Untitled (HM2), 2016
76.2 x 101.6cm
Spiral Nebula (Large)
Kiki Smith
Spiral Nebula (Large), 2017
81.3 x 63.5 x 5.6cm
Sedrick Chisom
Artist
Sedrick Chisom
B.1989, American

At the center of Sedrick Chisom’s practice is a commitment to confounding racial origin myths and pseudosciences toward creating apocalyptic fantasies in writing and painting. Appropriating imagery from Black Lives Matter demonstrations, medieval Christian iconography, and Greek mythology, Chisom questions who has the power to construct natural and social worlds, upending the authority of those worlds in the process. Chisom appoints himself a new mythmaker, one whose motivation is fundamentally pro-Black and who is committed to the acceleration of new imaginative possibilities. Chisom’s paintings are informed by and in dialogue with the speculative narratives he generates out of his extensive research practice. One subject of his narratives is the departure the POC Federation Fleet, after which all people of color have been transported away from Earth, leaving behind a series of landlocked commonwealths inhabited by white people with a medical condition that has altered the pigment of their skin. In his paintings, sickly violets, bright greens, and iridescent whites evoke the strange toxins of his narratives. In Chisom’s segregation narratives, the division of humans by supposed race is re-imagined, and the tropes of the American Civil War and other historic conflicts are revised. The remaining white race is divided into military opposition forces characterized respectively as the Confederate Disaffiliation of States and the Coastal Union of Civic States, both of which strive to re-assert their whiteness in a world where only white people remain. ...

Sedrick Chisom: Artworks
TBC finished as CHIS 2022002
Sedrick Chisom
TBC finished as CHIS 2022002, 2021
172.5 x 107.3cm
The Hateful Heart of White Diver, A Harbinger of The Apocalypse, Whose Anguished Nativity and Bad Te...
Sedrick Chisom
The Hateful Heart of White Diver, A Harbinger of The Apocalypse, Whose Anguished Nativity and Bad Teeth Could Not Disguise Blighted Hands, 2022
165 x 140cm
The Hero of Dionysus Emerged Inching Through Umbrage
Sedrick Chisom
The Hero of Dionysus Emerged Inching Through Umbrage, 2020
152.4 x 111.8cm
The Drunk Cooldown Rhythms Capitulated By a Deserter of The Southern Cross on Intimate Terms with Ca...
Sedrick Chisom
The Drunk Cooldown Rhythms Capitulated By a Deserter of The Southern Cross on Intimate Terms with Catastrophe, 2020
182.9 x 127cm
The Dreadful Constitution of a Perplexed Centenarian Who Stumbled Through The Realm in the Age of Fi...
Sedrick Chisom
The Dreadful Constitution of a Perplexed Centenarian Who Stumbled Through The Realm in the Age of Fire and Snow, 2021
181 x 144.8cm
A Blighted Cavalryman Patrolled the Valley of The Rocks on His Worn Out Horse Through Dead Mist at M...
Sedrick Chisom
A Blighted Cavalryman Patrolled the Valley of The Rocks on His Worn Out Horse Through Dead Mist at Miasmic Ass-crack Hours, 2021
182.9 x 132.1cm
A self identified 'Axe-bish' of the Blighted Calvary Stood Guard over the Occidental Tower - she was...
Sedrick Chisom
A self identified 'Axe-bish' of the Blighted Calvary Stood Guard over the Occidental Tower - she was among many daughters of the Southern Cross, 2020
76.2 x 55.9cm
The Woes of the Westward Kingdom were Such that the Angel Moroni Delivered A Dionysian Hero to the D...
Sedrick Chisom
The Woes of the Westward Kingdom were Such that the Angel Moroni Delivered A Dionysian Hero to the Daughters and Sons of the Southern Cross, 2020
167.6 x 132.1cm
The Wholly Avoidable Death of Mighty Whitey, The Last Drunk Dionysian Hero, AKA The Wholly Tragic Bi...
Sedrick Chisom
The Wholly Avoidable Death of Mighty Whitey, The Last Drunk Dionysian Hero, AKA The Wholly Tragic Birth of Fragile Narcissus, 2020
182.9 x 127cm
Medusa's Covenant With The Lord of the Woods
Sedrick Chisom
Medusa's Covenant With The Lord of the Woods, 2020
182.9 x 132.1cm
The Strife of Talons Over a Hat of the Southern Cross
Sedrick Chisom
The Strife of Talons Over a Hat of the Southern Cross, 2020
150.5 x 112.4cm
The Kemetopians
Sedrick Chisom
The Kemetopians, 2020
159.1 x 120 x 4.8cm
Pilar Corrias
Gallery
Pilar Corrias
London, London

Pilar Corrias Gallery is a contemporary art gallery owned by Pilar Corrias. The 3,800 square foot gallery in London's Fitzrovia, designed by Rem Koolhaas, is made up of two exhibition spaces, located in the heart of London's West End. Pilar Corrias opened a second London gallery space at 2 Savile Row in July 2021, designed by London and Oslo-based architect firm Hesselbrand. Since its inception, the gallery has worked with emerging and established artists with the central aim of allowing their work to grow both in terms of production of new projects and the making of new exhibitions. Pilar Corrias now represents a total of thirty-two international artists, two-thirds of whom are female. ...

Unlock Price & Inquiry Access