Sedrick Chisom

The Kemetopians, 2020159.1 x 120 x 4.8cmPrice on Request

Details

MaterialGalleryLocation

oil, acrylic, spray paint, and watercolor pencil on tiled sheets of paper glued to canvasPilar CorriasLondon

Description

Human-crafted. AI-refined.

This abstract painting features a hazy, dreamlike composition of soft, blended brushstrokes in shades of blue, purple, and white. The overall effect evokes a sense of ethereal, natural movement, as if capturing the swaying of tall grass or the gentle shifting of clouds. The style is impressionistic, with the paint applied in a loose, expressive manner to convey a sense of atmosphere and mood rather than precise details. The artist's intention may have been to create a meditative, contemplative experience for the viewer, inviting them to immerse themselves in the tranquil, ephemeral quality of the natural world. ...

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Artist

Sedrick Chisom

1989 , American

At the center of Sedrick Chisom’s practice is a commitment to confounding racial origin myths and pseudosciences toward creating apocalyptic fantasies in writing and painting. Appropriating imagery from Black Lives Matter demonstrations, medieval Christian iconography, and Greek mythology, Chisom questions who has the power to construct natural and social worlds, upending the authority of those worlds in the process. Chisom appoints himself a new mythmaker, one whose motivation is fundamentally pro-Black and who is committed to the acceleration of new imaginative possibilities. Chisom’s paintings are informed by and in dialogue with the speculative narratives he generates out of his extensive research practice. One subject of his narratives is the departure the POC Federation Fleet, after which all people of color have been transported away from Earth, leaving behind a series of landlocked commonwealths inhabited by white people with a medical condition that has altered the pigment of their skin. In his paintings, sickly violets, bright greens, and iridescent whites evoke the strange toxins of his narratives. In Chisom’s segregation narratives, the division of humans by supposed race is re-imagined, and the tropes of the American Civil War and other historic conflicts are revised. The remaining white race is divided into military opposition forces characterized respectively as the Confederate Disaffiliation of States and the Coastal Union of Civic States, both of which strive to re-assert their whiteness in a world where only white people remain. ...

Sedrick Chisom: Artworks

Sedrick ChisomTBC finished as CHIS 2022002, 2021Price on Request

Sedrick ChisomThe Hateful Heart of White Diver, A Harbinger of The Apocalypse, Whose Anguished Nativity and Bad Teeth Could Not Disguise Blighted Hands, 2022Price on Request

Sedrick ChisomThe Hero of Dionysus Emerged Inching Through Umbrage, 2020Price on Request

Sedrick ChisomThe Drunk Cooldown Rhythms Capitulated By a Deserter of The Southern Cross on Intimate Terms with Catastrophe, 2020Price on Request

Sedrick ChisomThe Dreadful Constitution of a Perplexed Centenarian Who Stumbled Through The Realm in the Age of Fire and Snow, 2021Price on Request

Sedrick ChisomA Blighted Cavalryman Patrolled the Valley of The Rocks on His Worn Out Horse Through Dead Mist at Miasmic Ass-crack Hours, 2021Price on Request

Sedrick ChisomA self identified 'Axe-bish' of the Blighted Calvary Stood Guard over the Occidental Tower - she was among many daughters of the Southern Cross, 2020Price on Request

Sedrick ChisomThe Woes of the Westward Kingdom were Such that the Angel Moroni Delivered A Dionysian Hero to the Daughters and Sons of the Southern Cross, 2020Price on Request

Sedrick ChisomThe Wholly Avoidable Death of Mighty Whitey, The Last Drunk Dionysian Hero, AKA The Wholly Tragic Birth of Fragile Narcissus, 2020Price on Request

Sedrick ChisomMedusa's Covenant With The Lord of the Woods, 2020Price on Request

Sedrick ChisomThe Strife of Talons Over a Hat of the Southern Cross, 2020Price on Request

Sedrick ChisomThe Kemetopians, 2020Price on Request

Gallery

Pilar Corrias

London, London

Pilar Corrias Gallery is a contemporary art gallery owned by Pilar Corrias. The 3,800 square foot gallery in London's Fitzrovia, designed by Rem Koolhaas, is made up of two exhibition spaces, located in the heart of London's West End. Pilar Corrias opened a second London gallery space at 2 Savile Row in July 2021, designed by London and Oslo-based architect firm Hesselbrand. Since its inception, the gallery has worked with emerging and established artists with the central aim of allowing their work to grow both in terms of production of new projects and the making of new exhibitions. Pilar Corrias now represents a total of thirty-two international artists, two-thirds of whom are female. ...