A self identified 'Axe-bish' of the Blighted Calvary Stood Guard over the Occidental Tower - she was...
A self identified 'Axe-bish' of the Blighted Calvary Stood Guard over the Occidental Tower - she was...
A self identified 'Axe-bish' of the Blighted Calvary Stood Guard over the Occidental Tower - she was...
A self identified 'Axe-bish' of the Blighted Calvary Stood Guard over the Occidental Tower - she was...
A self identified 'Axe-bish' of the Blighted Calvary Stood Guard over the Occidental Tower - she was...
A self identified 'Axe-bish' of the Blighted Calvary Stood Guard over the Occidental Tower - she was...

Sedrick Chisom

A self identified 'Axe-bish' of the Blighted Calvary Stood Guard over the Occidental Tower - she was among many daughters of the Southern Cross, 202076.2 x 55.9cmSign in to view price
Details
MaterialGallery
charcoal on arches watercolour paperPilar Corrias
Description
Human-crafted. AI-refined.

The artwork showcases a dramatic, moody landscape rendered in charcoal. The composition features a towering, shadowy figure emerging from the dense foliage, creating a sense of mystery and the supernatural. The artist employs bold, expressive brushwork and chiaroscuro lighting to evoke a somber, brooding atmosphere. This work reflects the Romantic era's fascination with the sublime power of nature and the human psyche's darker aspects.

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Sedrick Chisom
Artist
Sedrick Chisom
B.1989, American

At the center of Sedrick Chisom’s practice is a commitment to confounding racial origin myths and pseudosciences toward creating apocalyptic fantasies in writing and painting. Appropriating imagery from Black Lives Matter demonstrations, medieval Christian iconography, and Greek mythology, Chisom questions who has the power to construct natural and social worlds, upending the authority of those worlds in the process. Chisom appoints himself a new mythmaker, one whose motivation is fundamentally pro-Black and who is committed to the acceleration of new imaginative possibilities. Chisom’s paintings are informed by and in dialogue with the speculative narratives he generates out of his extensive research practice. One subject of his narratives is the departure the POC Federation Fleet, after which all people of color have been transported away from Earth, leaving behind a series of landlocked commonwealths inhabited by white people with a medical condition that has altered the pigment of their skin. In his paintings, sickly violets, bright greens, and iridescent whites evoke the strange toxins of his narratives. In Chisom’s segregation narratives, the division of humans by supposed race is re-imagined, and the tropes of the American Civil War and other historic conflicts are revised. The remaining white race is divided into military opposition forces characterized respectively as the Confederate Disaffiliation of States and the Coastal Union of Civic States, both of which strive to re-assert their whiteness in a world where only white people remain. ...

Sedrick Chisom: Artworks
The Kemetopians
Sedrick ChisomThe Kemetopians, 2020
159.1 x 120 x 4.8cm
Pilar Corrias
Gallery
Pilar Corrias
London, London

Pilar Corrias Gallery is a contemporary art gallery owned by Pilar Corrias. The 3,800 square foot gallery in London's Fitzrovia, designed by Rem Koolhaas, is made up of two exhibition spaces, located in the heart of London's West End. Pilar Corrias opened a second London gallery space at 2 Savile Row in July 2021, designed by London and Oslo-based architect firm Hesselbrand. Since its inception, the gallery has worked with emerging and established artists with the central aim of allowing their work to grow both in terms of production of new projects and the making of new exhibitions. Pilar Corrias now represents a total of thirty-two international artists, two-thirds of whom are female. ...

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