love time in vetivers,  bathtub dropped a story and left as is

Ser Serpas

love time in vetivers, bathtub dropped a story and left as is, 202139 x 160 x 71cmPrice on Request
Details
MaterialGalleryLocation
found objectsBalice HertlingParis
Description
Human-crafted. AI-refined.

This image depicts a dilapidated interior space with a sense of abandonment and decay. The predominant colors are shades of beige and off-white, with a prominent yellow-toned wall in the background. The overall composition is stark and geometrical, with clean lines and a minimalist approach. The lone lamp in the center of the frame serves as a focal point, casting a warm glow against the crumbling surroundings. The subject matter appears to be an empty, neglected room, potentially part of a larger abandoned structure. The sparse and worn elements suggest a sense of time and neglect. The artistic style reflects a utilitarian, almost industrial aesthetic, highlighting the deterioration and natural weathering of the space. In the context of contemporary art, this image may be interpreted as a commentary on the impermanence of human structures, the cycles of decay and renewal, or the beauty that can be found in the forgotten and overlooked spaces of our built environments. ...

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Ser Serpas
Artist
Ser Serpas
1995

Ser Serpas’s practice exists at the blurred intersection of art, poetry and activism. Whether creating sculptures from debris found on the street, working with a hoard of fabric gifted by her friends, making an exhibition out of objects she found at the exhibition site, drawing in public spaces, or writing on train rides, Serpas makes work that complicates the notion of materiality amidst the late-capitalist condition. Created in private, intimate, seemingly improvised moments, the works are never fully -visible to her audiences. The artist’s exhibitions are composed of assemblages of discarded and mistreated objects turned corporeal, becoming what the artist calls ‘assisted readymades’. Subverting Duchamp’s readymades and Rauschenberg’s Combines – the male-dominated history of sculpture – Serpas returns the objects to the streets after her exhibitions, allowing them to revert to their original state and provokes playful questions about the value of the space inside a museum, as opposed to the outside. An activist since high -school, the artist speaks up about structural inequalities, and provides support through facilitated workshops, community aid and artistic inspiration. Written by Goldsmiths CCA ...

Ser Serpas: Artworks
scrambled god living in static machination
Ser Serpasscrambled god living in static machination, 2021Price on Request
 encircled world little tidbits
Ser Serpas encircled world little tidbits, 2021Price on Request
revolutions insect of things
Ser Serpasrevolutions insect of things, 2021Price on Request
conjoining fabricated excesses literal end to a mean
Ser Serpasconjoining fabricated excesses literal end to a mean, 2021Price on Request
atrophies for participation
Ser Serpasatrophies for participation, 2021Price on Request
spilled out of my head head was spinning
Ser Serpasspilled out of my head head was spinning, 2021Price on Request
nights of the soul thorough body
Ser Serpasnights of the soul thorough body, 2021Price on Request
love time in vetivers,  bathtub dropped a story and left as is
Ser Serpaslove time in vetivers, bathtub dropped a story and left as is, 2021Price on Request
trailing falling caustic walkway trembled into being
Ser Serpastrailing falling caustic walkway trembled into being, 2021Price on Request
Untitled
Ser SerpasUntitled, 2023Price on Request
Untitled
Ser SerpasUntitled, 2022Price on Request
Untitled
Ser SerpasUntitled, 2022Price on Request
Untilted
Ser SerpasUntilted, 2023Price on Request
The Collector
Ser SerpasThe Collector, 202230000 EUR
Untitled
Ser SerpasUntitled, 202240000 USD
The Collector
Ser SerpasThe Collector, 202230000 USD
Balice Hertling
Gallery
Balice Hertling
Paris, Paris

Balice Hertling was founded in 2007 by Daniele Balice and Alexander Hertling. Balice Hertling has hosted the debut solo shows of many artists like Camille Blatrix, Xinyi Cheng and Isabelle Cornaro—all of whom have gone on to earn widespread recognition. From 2012 to 2016, gallery founders Daniele Balice and Alexander Hertling operated a project space in Manhattan. Returning to France in 2017, they relocated the main gallery to Paris’ Marais district and transformed the former Belleville location into a space for curated projects and shows by younger artists. Indeed, many artists represented by the gallery exemplify unique subcommunities of the emergent art world. This breadth of representation also translates to a breadth of medium, as the gallery represents painters as well as artists working in mixed media such as film, performance and sculptural objects. The gallery also represents artists whose careers are more established : British conceptual artist Stephen Willats, Syrian-born painter and sculptor Simone Fattal, and Italian artist Enzo Cucchi. In its programming and practices, Balice Hertling constantly works toward creating a more diverse and equitable art landscape. In this spirit, the gallery is proud to represent the Estate of Behjat Sadr, who was the first woman artist to be recognized as a modern master in Iran. As a result of the pandemic, the gallery co-founded « Palai » in the summer of 2021, a yearly exhibition hosting a small group of galleries from around the world, in historic locations in Lecce, a city in Italy's Puglia region. Palai is neither a curated exhibition nor a fair, it is thought to be a version of a residency, a collegial collaboration, where artists, galleries, and friends of the art world come together. In 2021 Balice Hertling relocated and brought closer both spaces in the Marais with a new main space inaugurated by a Ser Serpas scultpure solo show, and a new showroom and project space on rue de Montmorency. ...