The Blue Room

Sofia Pashaei

The Blue Room, 202280 x 60cm3500 EUR
Details
MaterialGalleryLocation
oil on linenBallon RougeBrussels
Description
Human-crafted. AI-refined.

This contemporary artwork features a minimalist and geometric composition. The dominant colors are various shades of blue, gray, and beige, creating a serene and muted atmosphere. The painting depicts a simple interior scene with a hanging lamp illuminating an object on a table, presumably a book or document. The overall style is characterized by clean lines, flat shapes, and a reduced palette, suggesting a focus on formal elements rather than detailed realism. The artist's intention may be to evoke a sense of calm introspection or to explore the interplay of light and shadow within a domestic setting. ...

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Sofia Pashaei
Artist
Sofia Pashaei
1989

Sofia Pashaei works with oils on linen to create incredibly atmospheric domestic scenes. With a confidence in use of colour which parallels the work of the Expressionists and The Blue Rider Group, Pashaei wields her brush to each canvas with immense precision. What has shifted however, is that the figures in her pieces are women enjoying other women’s company, contrasting the male lens seen in Degas’s paintings of women bathing. The mood is one of total adoration for female intimacy and companionship. Her painting style is illustrative and graphic, crafting enticing tableaux in bedrooms, bathrooms, and kitchens. A spotlight might highlight the passing of a lemon, or the reaching for a glass of wine between friends. Functioning like candid photographs, each painting brings about a peaceful moment in time which has been carefully distilled by Pashaei. Absurdist details make their way onto the canvas, for example, a bathtub may split into a table the scale of limbs might be slightly out of kilter, or a goose may wander from outside in one painting, into a room of another work. This humour imbues each painting with a charm that is seen cohesively as they operate as an ode to female friendship. ...

Sofia Pashaei: Artworks
My Peacock and I
Sofia PashaeiMy Peacock and I, 2021Price on Request
My Rooster and I
Sofia PashaeiMy Rooster and I, 2021Price on Request
Summer Evening
Sofia PashaeiSummer Evening, 2021Price on Request
Moving out, Moving in, Moving on
Sofia PashaeiMoving out, Moving in, Moving on, 2021Price on Request
Synchronicity II
Sofia PashaeiSynchronicity II, 2021Price on Request
Synchronicity I
Sofia PashaeiSynchronicity I, 2021Price on Request
Later, well later they left the bar
Sofia PashaeiLater, well later they left the bar, 2022Price on Request
Of course, there are several ways to be
Sofia PashaeiOf course, there are several ways to be, 20227200 EUR
Midnight Snack
Sofia PashaeiMidnight Snack, 20226400 EUR
As in childhood
Sofia PashaeiAs in childhood, 20226300 EUR
Events carry on
Sofia PashaeiEvents carry on, 20226500 EUR
The Blue Room
Sofia PashaeiThe Blue Room, 20223500 EUR
The Red Room
Sofia PashaeiThe Red Room, 20223500 EUR
The Green Room
Sofia PashaeiThe Green Room, 20223500 EUR
Ballon Rouge
Gallery
Ballon Rouge
Brussels

Ballon Rouge began as a nomadic gallery in September of 2017. In our first two years we put up exhibitions in Istanbul, London, Los Angeles, Brussels, Sao Paulo, Paris, and New York. Each of the cities we visited was stewarded by a ‘collective member’ - a curator who introduced us to artists and to their respective city’s art scene. In March of 2019 we made Brussels our home city, inaugurating our permanent space. While we will continue to do shows abroad alongside our collective members, our primary location is now Brussels. Besides our own exhibitions, the space in Brussels sometimes hosts invited international galleries to show with us in exchange for a show of ours at theirs - a further continuation of our ethos of collaboration and collectivity. So far we have collaborated or will soon collaborate with Hannah Barry Gallery (London); Melange (Cologne); Galerist (Istanbul); Gallery Artbeat, (Tbilisi); the Pill (Istanbul); Pi Artworks (Istanbul, London); Vitrine (London, Basel). ...