It is labour alone that is productive: it creates wealth and therewith lays the outward foundations ...
It is labour alone that is productive: it creates wealth and therewith lays the outward foundations ...
It is labour alone that is productive: it creates wealth and therewith lays the outward foundations ...
It is labour alone that is productive: it creates wealth and therewith lays the outward foundations ...

Stuart Middleton

It is labour alone that is productive: it creates wealth and therewith lays the outward foundations for the inward flowering of man, 2023116.5 x 201.5 x 5cmSign in to view price
Details
MaterialGallery
graphite on paperCarlos/Ishikawa
Description
Human-crafted. AI-refined.

This striking black and white photograph showcases a bold, geometric composition of intersecting metallic forms. The use of chiaroscuro lighting creates a dramatic interplay of light and shadow, highlighting the sharp angles and reflective surfaces of the geometric shapes. The overall effect is one of sleek, industrial minimalism, with the stark monochrome palette accentuating the sculptural qualities of the piece. The artist likely intended to explore the relationship between light, form, and negative space, inviting the viewer to contemplate the underlying structures that shape our physical world. ...

Similar Artworks
Saturn
Bird Sings from Orange which is About Majesty
Hoda Kashiha
Bird Sings from Orange which is About Majesty, 2019
180 x 160 x 5cm
Big Pants Chastity Belt
Anthea Hamilton
Big Pants Chastity Belt, 2015
33 x 25.4 x 30.5cm
Slanted Wavy Boot (Vertical)
Anthea Hamilton
Slanted Wavy Boot (Vertical), 2022
64 x 24.5 x 11cm
Beauty Industrial Complex
Sophia Al Maria
Beauty Industrial Complex, 2017
24 x 42cm
David and Jonathan with the Head of Goliath
Ryan Driscoll
David and Jonathan with the Head of Goliath, 2019
75 x 57cm
White heart bitter squash
Anthea Hamilton
White heart bitter squash, 2023
20 x 38.5 x 20cm
Major Motions
The Weird Sisters
Ryan Driscoll
The Weird Sisters, 2020
70 x 50cm
Uranus
Engraved carnival squash
Anthea Hamilton
Engraved carnival squash, 2023
20 x 43.5 x 20cm
Safi's Kid
Sophia Al Maria
Safi's Kid, 2021
47.5 x 68.2 x 3.5cm
SEX BOMB
Sarah Lucas
SEX BOMB, 2022
87.1 x 61.7 x 98.2cm
Leg Chair (Rankaku II)
Anthea Hamilton
Leg Chair (Rankaku II), 2025
85 x 90 x 62cm
Athena and Pallas (death of Pallas)
Ryan Driscoll
Athena and Pallas (death of Pallas), 2018
50 x 40.5cm
Contouring
Sophia Al Maria
Contouring, 2017
24 x 42cm
Erasing the World
Hoda Kashiha
Erasing the World, 2021
120 x 150cm
Chopped Monarch (F)
Anthea Hamilton
Chopped Monarch (F), 2019
127 x 178 x 4cm
MON PIED (roof series)
Sarah Lucas
MON PIED (roof series), 1995
151 x 101.6 x 6cm
Rape Gaze
Sophia Al Maria
Rape Gaze, 2014
198 x 320 x 4cm
Opinel Hoard Shadow
Eddie Peake
Opinel Hoard Shadow, 2017
44 x 51cm
The Profitless Gift
Jala Wahid
The Profitless Gift, 2021
Still Life (Trojan Sounds)
Corey Hayman
Still Life (Trojan Sounds), 2019
My Body Is Propagated Like Flower, Even by Your Handwriting
Hoda Kashiha
My Body Is Propagated Like Flower, Even by Your Handwriting, 2022
150 x 120cm
The thermals made me lazy, or The squatters (Smoky meet Monk’s Deflated Sculpture II (2009))
Ryan Gander
The thermals made me lazy, or The squatters (Smoky meet Monk’s Deflated Sculpture II (2009)), 2020
10.2 x 50.8 x 34.3cm
Night Flowers 8
Anthea Hamilton
Night Flowers 8, 2022
135 x 200cm
Uranus
C.18th Elm Chippendale Country Upholstered Side Dining Chair Georgian George III (Anonymous 1760-182...
Artist
Stuart Middleton
B.1987, British

Stuart Middleton works in drawing, painting, sculpture, text and animation. His practice continuously raises questions about human nature and systematic behaviour. By using storytelling as a research tool, he examines the themes of responsibility, capital, gender, class and cruelty. Middleton creates spaces where one is able to observe how fiction enters popular culture and provokes social division; how metaphors originate and impact the formation of one’s identity; how violence and aggression come to be institutionally normalised. His eccentric and odd sculptures feature twisted bodies; his installations take the shape of actual mazes; and his texts tell absurd scenarios placed in corporate settings. Middleton’s work is conceptual, surreal, frightening, humorous, and powerfully resistant to artistic conventional classification. ...

Stuart Middleton: Artworks
Untitled
Stuart Middleton
Untitled, 2015
70 x 70 x 15cm
G40
Stuart Middleton
G40, 2021
48 x 69.5 x 2.5cm
Lower Croft Nimrod
Stuart Middleton
Lower Croft Nimrod, 2018
64 x 88.5 x 2.5cm
Cotonhall Landmine Raspberry
Stuart Middleton
Cotonhall Landmine Raspberry, 2019
64 x 88.5 x 2.5cm
Family Histories: The Victorians
Stuart Middleton
Family Histories: The Victorians, 2019
70 x 110 x 75cm
G09
Stuart Middleton
G09, 2021
48 x 69.5 x 2.5cm
It is our duty to toughen up, but not at the expense of empathy
Stuart Middleton
It is our duty to toughen up, but not at the expense of empathy, 2019
35 x 122 x 90cm
Sad sketches 2
Stuart Middleton
Sad sketches 2, 2014
70 x 125 x 125cm
Steel yourself, but don't forget to make time for intimacy
Stuart Middleton
Steel yourself, but don't forget to make time for intimacy, 2020
35 x 122 x 90cm
Untitled mural (custom commission)
Stuart Middleton
Untitled mural (custom commission), 2018
Amaroo Pommy
Stuart Middleton
Amaroo Pommy, 2023
102.5 x 116 x 4cm
It is labour alone that is productive: it creates wealth and therewith lays the outward foundations ...
Stuart Middleton
It is labour alone that is productive: it creates wealth and therewith lays the outward foundations for the inward flowering of man, 2023
116.5 x 201.5 x 5cm
Personal effects and things that are biographical in amongst material that might be understood as ge...
Stuart Middleton
Personal effects and things that are biographical in amongst material that might be understood as generic without clear separation under compression (Kebab), 2024
55 x 311 x 56cm
Hard wired server clock movement parts (face missing), museum case linings (cotton, vegetable dye), ...
Stuart Middleton
Hard wired server clock movement parts (face missing), museum case linings (cotton, vegetable dye), monofilament line, mounted on wooden panel, 2024
221 x 99.1cm
C.18th Elm Chippendale Country Upholstered Side Dining Chair Georgian George III (Anonymous 1760-182...
Stuart Middleton
C.18th Elm Chippendale Country Upholstered Side Dining Chair Georgian George III (Anonymous 1760-1820), 2025
100 x 57 x 53cm
Pinguis Jeremiah
Stuart Middleton
Pinguis Jeremiah, 2025
66.1 x 85.5 x 4cm
Carlos/Ishikawa
Gallery
Carlos/Ishikawa
London

Founded in 2011, Carlos/Ishikawa’s program is dedicated to considered and ambitious exhibitions that offer diverse artists’ perspectives on structural, socio-cultural, and political questions. The program focuses on international artists with often wide-ranging, multi-disciplinary and experimental practices. There is an interest within the program of challenging the aesthetic conventions of conceptual art, and a focus on art that is able to operate on an affective, emotional level as well as a rigorous intellectual one. The gallery has offered many artists their first solo show, many of whom have gone on to receive recognition internationally. ...

Unlock Price & Inquiry Access